柏拉圖的電影 plato's the movie (1980)

★ 9.8 播放：13萬 更新：2026-04-26

調查記者臥底去了解臭名昭著的性俱樂部柏拉圖的秘密。

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調查記者臥底去了解臭名昭著的性俱樂部柏拉圖的秘密。

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

浪扼三焦

艾瑪在夜深人靜的時候被帶走了，渾身是瘀傷，意外懷孕了。在婦女庇護所找到了一個新家，她重新發現了自己失去的一面。在住在避難所的婦女和兒童中，個人創傷交織在一起。盡管他們有分歧，但一種微妙的姐妹情誼出現了。“一部關于女性為自尊和獨立而戰的電影，面對一個剝奪她們發言權的世界。這部電影將觀眾帶到了一個女性避難所的墻壁后面，向他們展示了一個令人驚訝的充滿活力的世界，那里的生活正在重建。如果有痛苦，也有力量、快樂和希望。角色和他們的故事植根于真實的經歷和情感，由演員和非演員共同扮演。情感誠實至關重要”。導演的筆記。

丹鳳眼

 故事圍繞黃瓊展開，她8歲移民美國，始終難以融入周遭。渴望融入美國社會的她，癡迷于贏得“舞會皇后”頭銜，將其視作被接納的象征。當親眼見證舞會皇后加冕 —— 那正是她向往成為的模樣時，這份執念愈發強烈。為實現目標，瓊發現了一項能改變種族的新科技，借此將自己變成了白人女孩。然而，當她改造后的面容開始衰敗，她的追求走向黑暗轉折，迫使她直面自身行為的后果。