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刺透
克里斯托弗·阿波特,米婭·華希科沃斯卡,萊婭·柯絲達,奧利維亞·邦德,瑪麗亞·迪齊亞,馬琳·愛爾蘭,達科塔·盧斯提克,維德爾·皮爾斯77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio重大發現
尼爾·布林,丹妮爾·安德雷德校園鬼談
???? ???????-?????? ?????,?????? ????????-?????? ??????????智能女傭
尼克·卡魯喬,Hailey Mauk,朱麗葉·塞茜爾索命哨
達芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚,Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利同類精選
追殺51號
穆罕默德·阿里坎,阿黛爾·艾克薩勒霍布洛斯,路易·加瑞爾,吉爾·勒盧什,羅曼·杜里斯,瓦萊麗亞·布魯尼·泰德斯基,達芙妮·帕塔基亞,維克多·阿爾特斯·索拉羅,托馬斯·班加爾特,阿克賽·百利,斯特凡納·巴克,雨果·狄龍,卡梅爾·拉布魯迪,薩杜·巴神探伽利略 禁斷的魔術
福山雅治,北村一輝,新木優子,村上虹郎,森七菜,渡邊一計,澤部佑,朝倉亞紀,中村雅俊,鈴木浩介,平原テツ忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro養鬼吃人8:地獄世界
蘭斯·亨利克森,凱瑟琳·溫妮克,克里斯托弗·賈科特,卡里·佩頓,亨利·卡維爾,維克多·麥奎爾,道格·布拉德利,Catalina Alexandru超重警官
Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert蠟筆小新:灼熱的春日部舞者們
小林由美子,楢橋美紀,森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎,賀來賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹影視排行
沒問題2021
梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強,鄒德江,丁鶴,黃靖芯,謝昀杉,大兵東北某市,晨報主任左守權得知與前妻生活多年的女兒,在校組建“問題樂隊”,不務正業,恐將被學校處分。老左欲將女兒留在家鄉從事鐵飯碗工作,左明明卻欲南下逐夢。老左苦口婆心勸說不成只好四處托人求助。女兒英語老師呂有容,因兒子轉學之事有求于老左,兩人化干戈為玉帛,惺惺相惜。由此引發左明明誤會其二人有茍且之事,羞怒至極,父女決裂。左明明終日與樂隊混跡夜場,幾乎放棄學業。老同學牛校長涉嫌違紀,牽連老左被停職。呂老師因和老左的一條醉酒視頻丟了工作。關乎女兒學位的英語四級考試,也只剩下最后機會。 為了女兒的未來,老左找來女兒樂隊吉他手小馬協助,準備孤注一擲……
爆彈
山田裕貴,伊藤沙莉,染谷將太,渡部篤郎,佐藤二朗一個神秘中年男子醉酒后襲擊了一臺自動售貨機和便利店店員,被警方拘留。他聲稱自己擁有超能力,并預測東京將有炸彈。從秋葉原爆炸事件算起,他預測接下來還會有三次爆炸,間隔一小時。隨后,他一邊回避著警察的詢問,一邊問一些有關炸彈的神秘“問題”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
是的2025
艾里爾·布隆茲,伊芙雷特·多,納馬·普雷斯,阿列克謝·謝列布里亞科夫,莎倫·亞歷山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿薩夫·喬納斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha富豪私人派對上,一對男女忘我炒熱氣氛,只要金主敢玩,他們十倍奉還。白天,兩人棲居小公寓照料幼子,她靠教舞維生,他則是潦倒音樂家。然而,手機里傳來的加沙煉獄景象使他們焦慮,周遭人們卻歡慶著血流成河,他們為了溫飽,繼續出賣靈魂。某夜,他收到酬勞可觀的邀約,卻必須將金主寫下的魔鬼詩篇譜成新國歌。為了五斗米,他決定深入國族的集體創傷,尋找主旋律。