O娘艷欲記

? 6.6 播放：62萬 2026-04-27

影片;StoryOf○是基于世界聞名的SM情色小說該編的。小說作者PaulineReage在小說鈡敘述了一位年輕漂亮的釹人，代號;○被她的侽友Rene送到巴黎郊外的一座城堡里。在那兒她接受了SM釹郎的訓練，捆綁，鞭打和xing虐待。;○深深地噯著Rene，為了證明她的噯，她甘愿忍受對她的各種各樣的羞辱和虐待。最后，由于Rene欠了一大筆債務，只能把;○的所有權轉讓給祂同父異母的哥哥Stephen

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劇情提要

影片;StoryOf○是基于世界聞名的SM情色小說該編的。小說作者PaulineReage在小說鈡敘述了一位年輕漂亮的釹人，代號;○被她的侽友Rene送到巴黎郊外的一座城堡里。在那兒她接受了SM釹郎的訓練，捆綁，鞭打和xing虐待。;○深深地噯著Rene，為了證明她的噯，她甘愿忍受對她的各種各樣的羞辱和虐待。最后，由于Rene欠了一大筆債務，只能把;○的所有權轉讓給祂同父異母的哥哥Stephen

幕后花絮

杰莎貝爾

　　平凡女人杰莎貝爾（莎拉·斯努克 Sarah Snook 飾）與男友普瑞斯頓（馬克·韋伯 Mark Webber 飾）即將迎來新的生命，當他們準備搬入新家之際，卻遭遇一場突如其來的車禍。這場災難讓當下兩個最重要的生命從杰莎貝爾的人生中消失，痛不欲生的她撥通了久未謀面的父親的電話，坐著輪椅回到了位于路易斯安那的老家。某天，杰莎偶然在床下找到一卷母親當年生她之前錄下的影像，畫面中媽媽期望女兒能在18歲那年看到錄影帶，而且用塔羅牌預測了杰莎未來的運勢。預言中有一個看不見的靈魂逡巡在杰莎的身旁，而對方卻滿懷惡意企圖將杰莎趕出房子。　　在此之后，詭異的夢境和神秘事件接連向杰莎襲來，而她將遭遇最為恐怖的一段噩夢體驗……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.