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很經典的唯美法國情色片
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團戰之夜
山姆·洛克威爾,史蒂夫·馬克,坦婭·范·格拉恩,卡西爾·伊托克-威尼克,朱諾·坦普爾,邁克爾·佩納,海莉·露·理查森,莎姬·貝茲,阿西姆·喬杜里,湯姆·泰勒,Adam Burton,迪諾·費切爾,喬治婭·古德曼,康拉德·坎普,邁克·加薩威,安娜·阿克頓,露露·泰勒,艾莉·康德倫,多米尼克·馬厄,大衛·斯圖爾扎克上天救命
曾志偉,鐘楚紅,吳耀漢,胡楓,何思嘉,秦沛,秦祥林,黃韻詩風車小騎士
Facundo Reyes,Marina Blanke,Julian Janssen丹下左膳:大岡越前外傳
森山未來,黑木華,每熊克哉,福士誠治,加藤諒,平祐奈,宇梶剛士,相島一之,榎木孝明,橫內正,田邊誠一,田村亮,高橋克典巨洪
金多美,樸海秀,權恩成,金圭娜,金炳南,李東燦,金秀京,全俞娜,金敏貴,鄭敏俊,全慧珍,樸炳垠,李學周功夫機器俠之南拳
陳虎,王智末世家園
泰勒·霍奇林,凱特·波茨沃斯,水野索諾婭,蘭斯·萊迪克,大衛·達斯馬齊連,丹娜·格瑞爾,勞拉·凱洛蒂,蘭斯·E·尼克爾斯,杰夫·蔡斯,布拉德·利蘭,戴夫·戴維斯,大衛·詹森,托馬斯·弗蘭西斯·墨菲,邁克·P·納爾遜,吉姆·格里森,戴恩·羅茲,Jacinte Blankenship,埃迪·馬休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿爾·維森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa同系列推薦
一個明星的誕生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奧利弗·克拉克,Marta Heflin,莎莉·柯克蘭德,喬安妮林維爾,保羅·馬祖斯基,斯蒂芬·布魯頓,Donnie Fritts,Booker T. Jones,Jerry McGee,比爾·格雷厄姆,麗塔·考里基,托尼·奧蘭多,伊索·阿克瑞恩,羅伯特·英格蘭德,梅迪·諾曼,Susan Richardson機動戰士高達00劇場版先驅者的覺醒
宮野真守,三木真一郎,吉野裕行,神谷浩史,本名陽子,東地宏樹,高垣彩陽,戶松遙,小笠原亞里沙,高山南,濱田賢二,中村悠一,上田祐司,釘宮理惠,入野自由,齋藤千和,磯部勉,古谷徹,藤田淑子,恒松步,根谷美智子,川島得愛,白鳥哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龍太郎,谷口節,小室正幸,白石涼子,游佐浩二,小形滿,古島清孝,清水美智子,奈良徹,星野貴紀,佐藤健輔,廣田詩夢,勝地涼我老婆不是人
梁家輝,關之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅庭通往絞刑架的電梯
讓娜·莫羅,莫里斯·羅內,喬吉斯·伯喬利,約里·貝爾坦,讓·瓦爾,埃爾加·安德森,西爾維亞娜·艾森施泰因,米舍利娜·博納,吉賽勒·格蘭普雷,Jacqueline Staup,馬塞爾·屈弗利耶,熱拉爾·達里厄,查爾斯·登納,于貝爾·德尚,雅克·黑林,馬塞爾·喬內,弗朗索瓦·茹,伊萬·彼得羅維奇,費利克斯·馬滕,利諾·文圖拉,讓-克洛德·布里亞利驅魔
勞拉·琳妮,湯姆·威爾金森,詹妮弗·卡朋特,坎貝爾·斯科特不是鬧著玩的
李易祥,于根藝,曹隨風,田華幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
出賣她的肉體
Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It's about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It's a film about her fight for survival all the way to the gruesome end.