家族丑聞

★ 8.9 播放：25萬 更新：2026-04-26

米洛是絕望的繁榮家族企業(yè)的份額。由于未能憑他的商業(yè)頭腦打動他的叔叔，他則試圖通過ML來她打動他的姑姑。她瘋狂地愛上了他，直到她發(fā)現(xiàn)他與她的女兒在床上。米洛被迅速用一張支票打發(fā)走了。叔叔試圖超越米洛和矯枉過正，使米洛的錢，企業(yè)和三個女人每天晚上要請他死了。Peccati in famiglia (1975) 　　

在線播放

劇情簡介

米洛是絕望的繁榮家族企業(yè)的份額。由于未能憑他的商業(yè)頭腦打動他的叔叔，他則試圖通過ML來她打動他的姑姑。她瘋狂地愛上了他，直到她發(fā)現(xiàn)他與她的女兒在床上。米洛被迅速用一張支票打發(fā)走了。叔叔試圖超越米洛和矯枉過正，使米洛的錢，企業(yè)和三個女人每天晚上要請他死了。Peccati in famiglia (1975) 　　

導演精選

黑暗之家

　　1978年的某個寒冷秋夜，迷路的希羅頓走進了一個偏僻的農場。農場主夫婦熱情地招待了這位不速之客，賓主一起喝酒聊天，談得十分投機。不料人心的貪欲引發(fā)了血的悲劇……　　四年后的冬天，姆爾茲警官負責調查這起兇殺案，他和重要證人希羅頓一起前往現(xiàn)場檢證。敷衍了事的調查、嫌疑人的回想……在一片混沌之中，驚人的真相漸漸浮現(xiàn)而出……

大怪獸加美拉

　　大映が初めて手掛けた、1965年制作の本格怪獣映畫『ガメラ』シリーズ第1作。監(jiān)督は、湯淺憲明。北極海上で原爆を積んだ國籍不明機が米軍機によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現(xiàn)した。自衛(wèi)隊の作戦で仰向けにひっくり返されたガメラ。起き上がることの出來ないガメラに、人々は勝利を確信するが???。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster