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宋欣諾,吳長浩,陽院生,王海卓,陳升衛卡拉馬利聯盟
蒂莫·埃倫克,卡里·海斯卡寧,Asmo Hurula別走
斯蒂芬·多爾夫,梅利莎·喬治,西蒙·德蘭尼,加文·歐康諾,萊勒·羅迪,肖恩·馬洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne學園便利屋
古川登志夫,平松広和,関俊彥,荘真由美,塩沢兼人不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson精靈寶可夢：幻影的霸者索羅亞克
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,樸璐美,間宮胡桃同類推薦
日掛中天
辛芷蕾,張頌文,馮紹峰,薛媛媛,喬琳凱困于七年前一樁意外的兩人再度相遇，美云（辛芷蕾 飾）與葆樹（張頌文 飾）開始了一段愛恨交織、扭曲而痛苦的共生關系。在美云試圖借其峰（馮紹峰 飾）展望新的未來時，卻發現自己仍深陷舊日漩渦。那些關于情與債的執念，再度將所有人推向命運的十字路口……
77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
終極囚禁
Jascha Washington,Whitney Hoy,Marc Donato,Justin Arnold,Travis Tedford,Julin,Lindsay Seidel,Mark Nutter,Hunter Garner,Eric Isenhower,Preston Flagg,Matthew Posey,Laura Ashley Samuels,Vincent Silochan,Farah White,Daniel Ross,Ryan Hayden,Morgana Shaw美國德州一所高中，以布萊德利（賈斯廷·阿諾德 Justin Arnold 飾）為首的一眾男女學生風生水起，橫行霸道，經常以欺負人為樂趣。印度裔學生萊比（Vincent Silochan 飾）、瘦小的戴恩（馬克·多納托 Marc Donato 飾）和有些內向自閉的女孩艾米莉（林德賽·西德爾 Lindsay Seidel 飾）等人更是他們優先欺負的對象。學校的狀況已然如此，與親人的關系又分外冷淡和緊張，戴恩他們的生活看不到一點兒希望。 8個月前，戴恩的叔叔去世，留給他一座偌大的農場作遺產。飽受欺負且試圖自殺的他找到和自己同病相憐的幾個人，他們決定把學校的小霸王們請到舉行派對，在勁歌熱舞之中展開準備已久的血腥復仇……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
困在時間里的父親
安東尼·霍普金斯,奧利維婭·科爾曼,馬克·加蒂斯,奧莉維亞·威廉姆斯,伊莫琴·普茨,盧夫斯·塞維爾,阿耶莎·達爾克,羅曼·澤勒,雷·伯內特,阿德南·昆迪,斯科特·穆林斯,布賴恩·羅杰,艾薇·維影片以重復加碎片式的感官敘事手法，講述了年邁且身患疾病的安東尼（安東尼·霍普金斯 Anthony Hopkins 飾）正在面臨一項艱難的人生選擇——是搬到養老院還是接受女兒尋找的新護工。在這個過程中，安東尼發現自己仿佛進入了一場奇怪的時空之旅，錯亂的記憶和時間線交織出一段段匪夷所思的故事，而一個個陌生又熟悉的人也讓他陷入迷茫。影片根據法國小說家兼劇作家佛羅萊恩·澤勒的舞臺劇《父親》改編。