在線播放
劇情簡介
又名: Abat-jour / Sleepless Moon 伯爵夫人卡米拉一個迷人的年輕女人回到威尼托省她那個偏僻的別墅。她的存在,立即破壞了那里原本安寧的舊式生活。
同類好片
儀式2024
朱麗安娜·戈德史密斯,杰瑞坎皮西,Alex Whitehouse黑色鉆石
因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric Walworth看不見的他們
和佳蓉,毛凡,陳曉霞,孫盈藝,蘇俊宇我最特別的朋友
張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾人氣佳作
命運之書
邁克.梅爾斯,斯賓塞.布萊斯林狙擊精英∶孤魂野鬼
查德·科林斯,湯姆·貝倫杰,瑞安·羅賓斯,喬什·布雷納,Tuks Tad Lungu,多米尼克·馬厄,Manuel Rodriguez-Saenz,米歇爾·伊薩·盧比歐送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫爾特·岳不露聲色
羅素·克勞,埃爾莎·帕塔奇,利亞姆·海姆斯沃斯,杰奎琳·麥根斯,羅伯特·菲茨杰拉德·迪格斯,馬特·納夫萊,K·卡蘭,林恩·吉爾馬丁,丹尼爾·麥克弗森,斯蒂夫·巴什托尼,本尼迪克·哈迪,Dan Matteucci,莫莉·格雷斯,Paul Tassone,Jemima Quinn,扎克·格里奇導演精選
人工情報
韓國國情院特工趙科長,奉命追查跨國犯罪集團,循著犧牲情報員的線索前往俄羅斯符拉迪沃斯托克,意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報源蔡善花展開博弈,卻同時被各自國家拋棄,被迫在忠誠、背叛與生死之間,聯手揭開邊境諜戰的驚天黑幕。
極度失眠
1997年,一部來自挪威的驚悚片《失眠者》上映后獲得好評,《芝加哥太陽報》的著名影評人羅杰,艾伯特給出了3星半的高分,他盛贊該片“不僅僅是一部驚悚片或動作片,而是一次心理學上的探索與學習”。兩犯罪調查者到挪威北方一個鎮幫助解決一個年輕的女孩的謀殺案,誰知陷入了巨大的困境之中。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster