劇情簡(jiǎn)介
它再現(xiàn)了像日本老婦人的夢(mèng)魘和優(yōu)勢(shì)的生活。 日本婦女的黑暗時(shí)代是由山本大師伸導(dǎo)演所揭露的。 當(dāng)奇諾的時(shí)候, 那些擾亂日本頭發(fā)的人被他們的個(gè)性和身體所蹂躪。 它被捆綁了一次又一次, 和婦女的歷史被毆打..。
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星光繼承者/僵尸高校生：繁星匯聚演唱會(huì)
瑪利亞·貝克,瑪拉基·巴頓,凱莉·坎特羅爾,喬舒亞·科利,梅格·唐納利《殭屍高校生》與《星光繼承者》的世界在此交會(huì)，帶來(lái)一場(chǎng)盛況空前的演唱會(huì)！兩部作品的卡司將首度合體登臺(tái)演出。由瑪莉亞·貝克、馬拉奇·巴頓、凱莉·坎特拉爾、約書亞·科利、梅科南·奈夫、達(dá)拉·蕾妮、芙蕾雅·史凱領(lǐng)銜，更有瑞塔·歐拉、麥洛·曼海姆、梅格·唐納利、利亞曼尼·塞古拉等特別嘉賓驚喜現(xiàn)身。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
咸魚(yú)翻身
李健仁,梁家仁,鐘偉強(qiáng),程?hào)|,黃一山,馬雪陽(yáng),Boz,董方卓此片主題為講述兩代人為勝利與人生尊嚴(yán)拼搏不息、最終實(shí)現(xiàn)足球夢(mèng)的勵(lì)志故事。
鬼府神工
勞倫·拉維拉,Claudio Nathan Brezzi,雅辛·法德?tīng)?Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克勞迪亞·杰里尼,Jonathan Dylan King,Elisabetta Klein,喬瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮絲·麥克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛倫佐·倫茲,Nicolo Viridi,Linda ZampagliA budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.
最后的吸血鬼
工藤夕貴,中村佐恵美該片是押井守參與制作的一部動(dòng)畫電影。獲2002年斯圖加特國(guó)際動(dòng)畫電影節(jié)最佳長(zhǎng)篇獎(jiǎng)，獲2001年日本文化廳文化廳MEDIA藝術(shù)祭動(dòng)畫大賞。1966年秋天，越南戰(zhàn)爭(zhēng)期間，在日本國(guó)內(nèi)的美國(guó)空軍橫田基地內(nèi)，不時(shí)可見(jiàn)F4幻影戰(zhàn)斗機(jī)頻繁起降，空氣中充斥著一股殺戮的氣氛；就在此時(shí)，基地附近的市區(qū)連續(xù)發(fā)生了離奇的命案。 地下鐵，銀座線，正駛著通往淺草的最后一班列車，一名少女出現(xiàn)在空蕩的車廂內(nèi)，她擁有令大人感到刺眼的眼神，緊閉著雙存欲訴說(shuō)她內(nèi)心的真正意念，她的名字叫小夜(SAYA)；她是“組織”為了打倒?jié)摲谌祟惿鐣?huì)里的吸血鬼“翼手”，因而派遣至人類社會(huì)的救世主。 穿著水手服的小夜，手持日本武士刀作為武器，潛入了基地內(nèi)的美國(guó)學(xué)校。一柄冷血無(wú)情的武士刀，是她消除邪魔、保護(hù)人類的武器。而她身體里這一半的人性，可能就是她打敗敵人的秘訣……
FPS
道本成美,泉知束,米澤成美,南久松真奈,巖永ひひお佐藤鈴（道本成美）為了逃避母親（南久松真奈）的過(guò)度干涉，在川上信夫（泉知束）的引導(dǎo)下，前往東京的一處房產(chǎn)進(jìn)行內(nèi)覽。盡管被告知前住戶山本孝雄（巖永ひひお）因欠租而失蹤，鈴仍被這處優(yōu)質(zhì)房產(chǎn)所吸引。信夫提議她單獨(dú)繼續(xù)內(nèi)覽時(shí)，鈴順從了他的建議。然而，她在房中聽(tīng)到某種不祥的聲音，被引導(dǎo)著打開(kāi)了一扇通往異世界的門，隨后被強(qiáng)行拉了進(jìn)去。醒來(lái)后，她發(fā)現(xiàn)自己身處一座荒廢的巨大建筑中，迷茫中遇到了自稱山本孝雄的男子。這個(gè)空間被某個(gè)怪物所支配，既無(wú)法逃脫，也無(wú)法死去，真正的無(wú)間地獄。
孩子們安好
卡米爾·科坦,莫妮亞·喬柯里,朱麗葉·阿曼尼特,Mano? Varvat,Nina Birman,紀(jì)堯姆·谷伊,瑪麗亞姆·阿赫迪歐,弗蘭基·瓦拉赫,Tania Dessources,Camille Lethuillier,馬克西姆·施邦古,Zoé Briau,Jean-Fran?ois Hoche,Pauline Roux,阿麗亞娜·納齊里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani多年以后，蘇珊和她的兩個(gè)孩子意外地出現(xiàn)在她姐姐珍妮的家中。起初看起來(lái)像是蘇珊在試探性地試圖重新與姐姐建立關(guān)系。但隨著晨光的出現(xiàn)，這種幻覺(jué)破滅了：蘇珊消失了……內(nèi)森·安布羅西奧尼的這部親密電影，描繪了一位被迫成為母親的女人，而她對(duì)自己的孩子幾乎一無(wú)所知。他那極簡(jiǎn)主義的敘事方式，卻充滿了深刻的共情，讓觀眾得以觀察這個(gè)新生家庭逐漸凝聚的緩慢過(guò)程，以及他們內(nèi)心的恐懼與猶豫，還有那毫無(wú)效率的國(guó)家機(jī)器的荒謬之處。這是一部法國(guó)電影，它反映了因必要性而產(chǎn)生的共同生活本質(zhì)的脆弱性，以及當(dāng)它源于愛(ài)時(shí)，它會(huì)變得多么強(qiáng)大。