美味速遞

 In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...

本片改編自同名小說。櫻井萌（當真亞美 飾）從小體弱多病，無法上學，也沒有朋友，每天獨自度過時光。她一直有一個小小的夢想——在自己生日那天，與喜歡的人一起觀賞據說能讓戀人永遠相守的六月滿月“草莓月亮”。然而，15歲那年冬天，她被告知生命所剩無幾。                                                                      　　從醫院回家的路上，萌邂逅了命中注定的人，并下定決心進入高中就讀。入學典禮當天，她在初次見面的情況下，向同班同學佐藤日向（齋藤潤 飾）突然告白，人生第一次戀愛就此開始。終于到了共賞草莓月亮的那一天，但從那天起，萌突然從學校消失，日向再也無法聯系上她。而萌離開的真相，以及13年后傳來的秘密究竟是什么…

　　該片以大地震后荒廢的首爾為背景，講述聚集在此地唯一剩下的“皇宮公寓”里的生存者們的故事。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.