影片推薦
阿姆斯特丹
克里斯蒂安·貝爾,瑪格特·羅比,約翰·大衛·華盛頓,亞歷桑德羅·尼沃拉,安德麗婭·賴斯伯勒,安雅·泰勒-喬伊,克里斯·洛克,馬提亞斯·修奈爾,邁克爾·珊農,麥克·梅爾斯,泰勒·斯威夫特,蒂莫西·奧利芬特,佐伊·索爾達娜,拉米·馬雷克,羅伯特·德尼羅,梅爾·法爾,邦尼·赫爾曼,馬克斯·佩利希,小艾德·博格里,考林·加普,勞倫·肖,布蘭登·戴維斯,凱西·比格斯,戴·揚,肖恩·艾弗里,潔基伯明翰,瑞貝卡·薇索基,史蒂文·哈克,貝絲·格蘭特,湯姆·埃爾文,利蘭·奧瑟,馬丁·威廉·哈里斯,文森特·M·比肖內,詹姆斯詭愛
辛芷蕾,成毅,于毅,葉熙祺,張哲瀚,何珮瑜,邢岷山庫梅爾·南賈尼:夜間思緒
庫梅爾·南賈尼笨賊向前沖
馬有才,彤彤,杜玉明,許新宇,馬衛軍,彭波,王川,劉剛,劉波,王泇淇一個叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫里,Patricia Kalis,Jamille James,尼克·法內爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯冰封之地
尼古拉斯·凱奇,約翰·庫薩克,凡妮莎·哈金斯,凱瑟琳·拉·納莎同類精選
熱情洋溢
瑞安·雷諾茲,威爾·法瑞爾,奧克塔維亞·斯賓瑟,蘇妮特·瑪尼,帕特里克·佩奇,艾米·卡里諾,喬·蒂皮特,詹·塔洛克,P·J·伯恩,阿納斯塔西婭·薩尼多普洛斯·穆西斯,尼克·巴加,比利·康查,Woody Fu,瑪麗·安·紹布,瑪塞拉·賈拉米洛,羅布·勒維克,Heidi Garza,Amanda Cleghorn,Marilyn Swick,Alison Weller,Marlow Barkley天啟Z:完結的起點
何塞·馬利亞·亞茲皮克,貝塔·巴斯克斯,伊里婭·德爾·里奧,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María人偶之家
長澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風吹淳吉星拱照
周潤發,張艾嘉,鄭丹瑞,利智,黃坤玄,黃家駒,葉世榮,黃家強,黃貫中無約而至
李京沐,李若寧,張子棟,于月仙,秦衛東,王雙寶地下角斗士
戴拉·紹,黎唯,黎明影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
巨星嫁到
詹妮弗·洛佩茲,歐文·威爾遜,馬魯瑪,薩拉·西爾弗曼,約翰·布萊德利,克洛伊·科爾曼,吉米·法倫,布雷迪·諾恩,蜜雪兒·伯托,烏特卡什·安邦德卡爾,基思·埃威爾,杰奎琳·霍努力克,卡特里娜·坎寧安,斯蒂芬·沃勒,勞倫斯·史密斯,萊恩·瓦萊麗,布萊斯·科里根,洛根·克勞福德,朱塞佩·阿迪佐內,赫納多·羅德里格斯,亞歷克斯·佩雷斯,瑞娜·鄭,喬納森·M·帕里森 ,馬科·查卡,桃樂絲·麥卡錫流行巨星(詹妮弗·洛佩茲 Jennifer Lopez 飾)在結婚前一刻發現自己的未婚夫出軌,于是在臺上隨意挑選了數學老師(歐文·威爾遜 Owen Wilson 飾)結婚,二人究竟能否真正擦出愛情的火花?有情人最終能否終成眷屬?
哪吒鬧海
梁正暉,邱岳峰,畢克,富潤生,尚華,于鼎商末時期,陳塘關總兵李靖的夫人懷胎3年6個月,最終生下一個肉球,肉球中跳出一個伶俐可愛的男孩。李靖原當他是妖孽欲殺之而后快,幸太乙真人前來收之為徒,賜名哪吒,并賜以乾坤圈和混天綾兩件寶貝。某年,天下大旱,甘露未降。哪吒和家將到東海洗澡玩耍。他用混天綾攪動海水,撼動龍宮,惹出巡海夜叉李艮和龍王三太子敖丙。幾番言語不和,哪吒殺此二人,由此闖下通天大禍。四海龍王齊聚陳塘關索命,為救一方百姓,哪吒決定交出生命……本片根據《封神演義》故事改編,并榮獲1980年電影百花獎最佳美術片獎;文化部1979年優秀影片獎、青年優秀創作獎;1983年菲律賓馬尼拉國際電影節特別獎;1988年法國布爾波拉斯文化俱樂部青年國際動畫電影節評委獎和寬銀幕長動畫片獎。
致命玩笑2
凱拉(勞拉·喬丹 Laura Jordan 飾)、梅麗莎(尼姬·??怂?Nicki Aycox 飾)、鮑比(尼克·扎諾 Nick Zano 飾)和尼克(凱爾·施密德 Kyle Schmid 飾)等四個年輕人正驅車前往拉斯維加斯,準備參加那里舉行的聚會。他們的車載半路拋錨,四人尋求幫助時在荒野找到一座空無一人的房子,繼而在倉庫里找到一輛跑車。經過一番討論,他們決定留下聯系方式,暫時把車開走,并負責賠償車主的損失。 然而他們的想法過于天真,這輛汽車的主人正是恐怖的銹釘(馬克·吉本 Mark Gibbon 飾),凱拉等人破門而入和偷走汽車的行為徹底惹惱了他,銹釘的瘋狂狩獵也隨即展開。凱拉等人命懸一線…