劇情簡介
鈴木的異常母親和青梅竹馬出現了!!擅長特殊性癖的同人社團M-size傳說中的同人游戲 育精 動畫化第1彈!!!M型母親(無血緣關系)和女王般氣質的青梅竹馬。你的本性會選擇哪一方?
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1和2
琪蘭·席普卡,提莫西·查拉梅,伊莉莎白·里瑟,格蘭特·鮑爾,Dale Girard,Wendy Ahlstrom,Kyle Bell,Zachary Dylan Brown,Chantey Colet,Monica Crumpler,Rayven Symone Ferrell,Saia Grayson,Albert Guzman,Julie Haught,Robert Haulbrook有一戶人家，他們世代隱居在由高墻和籬笆圍起的一方天地里。與世隔絕的他們不論外界的時代如何更替，文明怎樣進展，仍然固守著古老的生活方式，簡樸、素雅、純真。有時候，豐沛的陽光會穿過茂密的守護森林，毫無保留地照耀著每一棵古樹、每 一寸厚土，也照耀著光影里兩個精靈般嬉戲時而消失又突然顯現的 少年。 成長的路總不是一片坦途，正如叛逆的陣痛永遠會如期而至。眼看著新鮮力量就要沖破這亙古的高墻和藩籬，然而母親的離奇暴斃，妹妹的突然失蹤，父親愈發的心事重重，都令少年更加堅信自己身處在一個古老而危險的秘密之中，而這個秘密的答案，也許就能解開羈絆在自己和妹妹身上的神秘力量的終極謎題......
月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥對于16歲的女孩Jung-hee來說，一年中最困難的一天是她祖母的陣亡將士紀念日。鄭熙通常很難和酗酒的母親相處，但在這一天，她大喊大叫的祖父的妹妹來了。她每年都會責罵正熙的母親和叔叔，問她為什么為自殺的祖母做追悼會，而不考慮找到離家出走的祖父。自從他的祖父在正熙出生的那天失蹤后，正熙不知怎么地覺得這是她的錯。所以Jung-hee決定去冒險，在那里她可以解開所有的秘密，結束她母親的青春期。
再見十八班
柯焱曦,熊婧文,秦海梧桐中學高二十八班是遠近聞名的問題班級，后進生、藝術生、體育生、不良少年聚集在此，以宋宸（柯焱曦 飾）為首的男生幫派和以秦淼淼（熊婧文 飾）為首的女生幫派互相不服，班級混亂無序。一天，高二十八班收到了一封信，這封信自稱是由一年后的他們集體寄來。信上說，即將調來的班主任譚 睿明（秦海 飾）會改變十八班，成為對他們最重要的人。然而在一年后的未來，譚老師卻永遠地離開了他們。為了實現一段沒有遺憾的青春，扭轉歷史，少年們決定按照信上所說，挑戰一個個不可能實現的任務...
那個孩子是誰？
澀谷凪咲,早瀨憩,山時聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司擔任臨時教師的君島穗香(澀谷凪咲)，目擊了一個女學生從屋頂跳下的瞬間。當她在暑假補習班上課時，又注意到有個不應該存在的學生。不久后，穗香與補習班的三浦瞳(早瀨憩)、前川武(山時聰真)等學生們，得知了與那個女學生有關的令人震驚的事實。
極限人生2026
張子棟,張雪菡,肥龍,王蕊,曹然然,王曉曦,吳連生影片講述中年男子馬然為湊百萬彩禮錢加入地產中介項目，卻卷入詐騙案背負罪名，最終通過精心策劃洗脫嫌疑并將詐騙團伙繩之以法，同時收獲真愛的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
外星精神病
Steve Baran,Jackson Berlin,Lee TomaschefskiRyan O'Neil是一位在戰斗中受傷后患有PTSD的退伍軍人，他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個腐敗的警察，她的丈夫一直在為這個國家服務，她一直在幫她。瑞恩和托尼從來都不喜歡對方，而托尼試圖干涉他們的婚姻，事情變得激烈起來。但是，當瑞恩在夜晚開始在他的房子里閃現出殺手，外星人和其他奇怪生物的閃光和幻影時，他不確定這是真的還是只在他腦海中。斯蒂芬妮已經和瑞恩在一起，對丈夫的行為深表擔憂。隨著歲月的流逝，瑞恩很快就會發現他的噩夢在他身上縈繞著什么邪惡的存在。