劇情縱覽
Christina Von Belle, a wealthy heiress, is kidnapped by a lesbian terrorist group and held for ransom. She escapes the lesbian terrorists, only to fall into the clutches of a gang of gourmet chefs, who want a piece of the ransom themselves.
Christina Von Belle, a wealthy heiress, is kidnapped by a lesbian terrorist group and held for ransom. She escapes the lesbian terrorists, only to fall into the clutches of a gang of gourmet chefs, who want a piece of the ransom themselves.
Christina Von Belle, a wealthy heiress, is kidnapped by a lesbian terrorist group and held for ransom. She escapes the lesbian terrorists, only to fall into the clutches of a gang of gourmet chefs, who want a piece of the ransom themselves.
經(jīng)歷了最可怕的一段過去,可奈(大島優(yōu)子 飾)已經(jīng)精神接近崩潰,殘酷命運(yùn)的安排,讓她最終也無法逃脫半身死靈“嗒卡嗒卡”的獵殺。路過事故現(xiàn)場(chǎng)的水谷菜月和中島玲子是就讀同一所高中同一班級(jí)的好友,她們的學(xué)校即將舉行文化祭。擔(dān)任文化祭委員的玲子無意中觸怒了班內(nèi)小集團(tuán)的頭頭刀根繪梨香,由此遭受了無休無止的孤立和欺凌。菜月看在眼里,卻不敢組織,只能隨波逐流。終于有一天,再也無法忍受的玲子將希望寄托在半身死靈身上,她將與繪梨香親近的同學(xué)相繼騙到人行天橋,目睹她們被獵殺的殘忍一幕。 菜月終于發(fā)現(xiàn)了好友的秘密,她嘗試阻止,并且了解到半身死靈的背景和不為人知的過去,可是為時(shí)已晚……
西部荒野,住著麥克林夫婦——伊薩克(阿什利·祖克曼 Ashley Zukerman 飾)和莉茲(凱特琳·杰拉德 Caitlin Gerard 飾)。這里條件艱苦,環(huán)境惡劣,人煙稀少,野獸橫行。莫大的孤寂令莉茲時(shí)常警惕地環(huán)視四周,防備一切可能的危險(xiǎn)。某天,哈普爾夫婦——吉迪恩(迪倫·麥蒂 Dylan McTee 飾)和艾瑪(茱莉亞·古丹妮·泰勒斯 Julia Goldani Telles 飾)搬到了麥克林家附近,成為他們的鄰居。兩家人很快就成了好朋友,特別是莉茲有了艾瑪這個(gè)好姐妹,似乎心理也正常了許多。 好景不長(zhǎng),某晚艾瑪?shù)那闆r變得很糟糕,她擔(dān)心神秘的存在將危及她的孩子。荒野大風(fēng)卷起,烏云密布……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
在洛杉磯火山噴發(fā)釋放出巨大的群熔巖呼吸狼蛛。