裸殺

9.8 播放:15萬 更新:2026-04-28

艾德蘭(邁克爾 卡蘭 Michael Callan 飾)是一位小有名氣的攝影師,專業(yè)能力十分出色。只有最性感,最熱辣的女模特才有資格出現(xiàn)在他的鏡頭之下,與此同時(shí),生性浪漫的艾德蘭和這些女模特們之間的關(guān)系十分融洽。 然而,艾德蘭的內(nèi)心里隱藏著一個(gè)秘密,每當(dāng)夜晚降臨,噩夢(mèng)如影隨形,夢(mèng)中,是女模特們慘死的各類景象,而他正是那個(gè)殘忍的兇手。讓艾德蘭沒有想到的是,夢(mèng)境延伸到了現(xiàn)實(shí)中,那些在夢(mèng)里慘死的女人們,在現(xiàn)實(shí)生活中竟然也真的死去了。艾德蘭向弟弟(James Stacy 飾)和心理醫(yī)生弗蘭克(西摩卡塞爾 Seymour Cassel 飾)求助,他開始懷疑起,自己的精神是不是出了什么問題。   

即刻觀影

劇情賞析

艾德蘭(邁克爾 卡蘭 Michael Callan 飾)是一位小有名氣的攝影師,專業(yè)能力十分出色。只有最性感,最熱辣的女模特才有資格出現(xiàn)在他的鏡頭之下,與此同時(shí),生性浪漫的艾德蘭和這些女模特們之間的關(guān)系十分融洽。 然而,艾德蘭的內(nèi)心里隱藏著一個(gè)秘密,每當(dāng)夜晚降臨,噩夢(mèng)如影隨形,夢(mèng)中,是女模特們慘死的各類景象,而他正是那個(gè)殘忍的兇手。讓艾德蘭沒有想到的是,夢(mèng)境延伸到了現(xiàn)實(shí)中,那些在夢(mèng)里慘死的女人們,在現(xiàn)實(shí)生活中竟然也真的死去了。艾德蘭向弟弟(James Stacy 飾)和心理醫(yī)生弗蘭克(西摩卡塞爾 Seymour Cassel 飾)求助,他開始懷疑起,自己的精神是不是出了什么問題。   

編輯推薦

偉大的覺醒

John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster Harris

 Exploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.

離奇劇院

烏多·基爾,維吉尼亞·紐科姆,卡特里娜 馬科爾,艾米莉婭·戈薩姆,維多利亞·莫蕾特,麗莎·貝爾,安德烈·赫尼克,蘇珊·安貝赫,哈維·弗里德曼,戴比·露珍,湯姆·薩維尼,卡內(nèi)赫迪奧·霍恩,琳恩·勞里,杰西卡·瑞默斯,艾麗莎·道林,杰夫·迪倫·格雷厄姆,達(dá)蒙·帕卡德,惠特尼·穆爾,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill

  少女艾諾拉·佩妮(Virginia Newcomb 飾)偶然在深夜進(jìn)入一家破敗的歌劇院,乖張吊詭的演員為她表演了六個(gè)異乎尋常的故事:《蟾蜍之母》一對(duì)美國(guó)夫婦來到法國(guó)某偏遠(yuǎn)山鎮(zhèn)旅行,在這里結(jié)識(shí)了一個(gè)詭異的老婆婆;《我愛你》德國(guó)柏林,走到盡頭的婚姻,歇斯底里的偏執(zhí)男人讓他的妻子再也無法忍受著無處不在的狂愛;《夢(mèng)遺》飽受邪淫夢(mèng)境困擾的男人,在夢(mèng)與現(xiàn)實(shí)的夾縫中迷失;《事故》真實(shí)的死亡對(duì)于一個(gè)小女孩來說也許過于費(fèi)解與殘酷,然而這就是它真實(shí)的原因;《記憶收集》她殺了求死的女人們,她看見并擁有了她們的記憶;《甜食》一度沉浸在甜食和熱戀中的情侶,不知不覺走到了情感盡頭。

不實(shí)夢(mèng)境

Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson

  Lucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.

鉆石般的她

路易莎·拉涅瑞,杰絲敏·特麗卡,斯特凡諾·阿科爾西,盧卡·巴爾巴羅薩,薩拉·博西,洛雷達(dá)納·卡納塔,杰皮·庫(kù)奇阿里,安娜·費(fèi)澤蒂,奧羅拉·喬維納佐,妮可·吉瑪多,米萊娜·曼奇尼,維尼喬·馬爾基奧尼,葆拉·米納喬尼,愛多阿多·普爾加托里,卡爾米內(nèi)·雷卡諾,艾萊娜·索菲亞·里奇,盧妮塔·薩維諾,凡妮莎·斯卡萊拉,卡拉·西格諾里斯,卡夏·斯穆特尼亞克

  「人可生如蟻而美如神」:一班裁制亮麗戲服的中年裁縫慨嘆自己生如蟻,一名奧斯卡導(dǎo)演拍出她們美如神的生命。導(dǎo)演邀約一眾他熱愛的演員,重塑一家高級(jí)裁縫工作室色彩斑斕、五味集陳的過往,追憶70年代一班堅(jiān)毅溫柔的女裁縫的故事:表面盛勢(shì)凌人卻細(xì)膩體貼的老板、善良卻抑郁的妹妹拍檔、單純的寡婦和她的小兒子、偏愛小鮮肉的姨姨、被家暴的妻子、昔日美艷的舞者、逃避通緝的少女??一群日常女子拋開小我、互相照顧,照亮平凡生活中超越自我的不平凡,展現(xiàn)她們的獨(dú)立、愛欲、掙扎和力量。意大利金像獎(jiǎng)觀眾人次最高獎(jiǎng)意大利銀絲帶獎(jiǎng)年度電影

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

浴血蔣家河口

任帥,關(guān)亞軍,曹楠,計(jì)美臣

蔣家河口戰(zhàn)役打響了新四軍抗戰(zhàn)的第一槍,也是新四軍挺進(jìn)敵后打伏擊的第一仗。此役以少克眾,以弱勝?gòu)?qiáng),孤軍深入,出奇制勝,給了囂張跋扈、不可一世的日本侵略者一個(gè)結(jié)結(jié)實(shí)實(shí)的下馬威,極大地鼓舞了中國(guó)軍民的抗戰(zhàn)斗