魔鬼之血

評分:3.8 播放:87萬 更新:2026-04-27

別名:赤裸之吻 / 芳心吸血鬼 影片講述吸血鬼伯爵發(fā)覺自己要吸處女之血才能生存下去,于是他和妹妹及管家三人來到意大利,并很快把目標(biāo)定在了一個(gè)富有的家族中,那家的四姐妹個(gè)個(gè)美麗動(dòng)人,尤其是老二和老三,他們兩人與家裡一個(gè)工人長期保持著曖昧關(guān)系,但卻騙伯爵說自己是處女,伯爵吸了她們的血之后,身體受到嚴(yán)重?fù)p害,他大發(fā)雷霆,并開始對這個(gè)家族的每個(gè)人實(shí)施報(bào)復(fù);一場激戰(zhàn)過后,家庭的成員所剩無幾,伯爵也把自己推向了滅亡....... ; 由《行尸走肉》原班人馬拍攝的另一部恐怖題材的電影,也是制作人安迪沃霍爾與導(dǎo)演保羅 莫里塞的另一部作品,風(fēng)格與《行尸走肉》一脈相承,詭異和恐怖的氣氛被表現(xiàn)得淋漓盡致,影片公映時(shí)由于血腥暴力和赤裸裸的性場景過多,因此這些場景大部分被剪掉了,標(biāo)準(zhǔn)版DVD則提供了完整的加長版本。 

劇情簡介

別名:赤裸之吻 / 芳心吸血鬼 影片講述吸血鬼伯爵發(fā)覺自己要吸處女之血才能生存下去,于是他和妹妹及管家三人來到意大利,并很快把目標(biāo)定在了一個(gè)富有的家族中,那家的四姐妹個(gè)個(gè)美麗動(dòng)人,尤其是老二和老三,他們兩人與家裡一個(gè)工人長期保持著曖昧關(guān)系,但卻騙伯爵說自己是處女,伯爵吸了她們的血之后,身體受到嚴(yán)重?fù)p害,他大發(fā)雷霆,并開始對這個(gè)家族的每個(gè)人實(shí)施報(bào)復(fù);一場激戰(zhàn)過后,家庭的成員所剩無幾,伯爵也把自己推向了滅亡....... ; 由《行尸走肉》原班人馬拍攝的另一部恐怖題材的電影,也是制作人安迪沃霍爾與導(dǎo)演保羅 莫里塞的另一部作品,風(fēng)格與《行尸走肉》一脈相承,詭異和恐怖的氣氛被表現(xiàn)得淋漓盡致,影片公映時(shí)由于血腥暴力和赤裸裸的性場景過多,因此這些場景大部分被剪掉了,標(biāo)準(zhǔn)版DVD則提供了完整的加長版本。 

為你推薦

秒速5厘米真人版

松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內(nèi)敬子,佐藤緋美,白本彩奈

改編自新海誠創(chuàng)作的同名動(dòng)畫電影,講述了一段跨越時(shí)間與距離的青澀愛情與成長故事。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

索命哨

達(dá)芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內(nèi)特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚(yáng),Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利

 一群學(xué)生發(fā)現(xiàn)了一個(gè)阿茲特克“索命哨”,不信邪的他們招來了自己的死亡……

喋血密令

李琦,馬心怡,徐箭,孫學(xué)增,來鈺

  明正德年間,禁衛(wèi)百戶耿烈因欽差被殺貶為捕頭。此時(shí)寧昌府發(fā)生連串命案,波及寧王壽宴,耿烈奉命追查。為寧王獻(xiàn)畫富商被毒殺,刺殺欽差的女殺手再次出現(xiàn),這一切讓耿烈意識(shí)到寧昌府醞釀的風(fēng)暴,將會(huì)改變大明的朝局。

霧人前傳

邁克爾·羅伯特·布蘭登,邁克爾·穆內(nèi),邁克爾·穆內(nèi)

  1978年,死亡峽谷。警官戴維?麥克阿里斯特(David Stanbra 飾)將殺人如麻、殘酷血腥的霧人(Ben Gunther 飾)繩之于法,這個(gè)作惡多端的噩夢最終死在毒氣室里。  時(shí)間回到現(xiàn)在,警長麥克阿里斯特(Robert Pine 飾)即將退休,他的兒子哈里斯(Michael Muhney 飾)則尾隨父親當(dāng)上了警察。父子二人在六角餐館用餐時(shí),遭遇了在逃的賭場搶劫犯。雙方展開對峙,年輕氣盛的哈里斯引起大爆炸,兩名劫匪劫持餐館女招待瑪雅(Mircea Monroe 飾)逃亡。在救援部隊(duì)遲遲未到之時(shí),戴維帶著兒子展開謹(jǐn)慎的追蹤。不過令雙方始料未及的是,似乎有另一個(gè)神秘、恐怖的殺手將他們玩弄于鼓掌之中。邪惡的霧人精神不死,重返人間……

愛情儲(chǔ)蓄罐

宋仲基,韓藝瑟,李相燁,申素率

  智雄(宋仲基 飾)大學(xué)畢業(yè)后便整日游手好閑。某天他認(rèn)識(shí)了從對面天臺(tái)跳過來撿瓶子的怪女人紅實(shí)(韓藝瑟 飾)。守財(cái)如命的紅實(shí)盯上了智雄住所的搬遷費(fèi),她暗中找到智雄的房東,把租房合同改到自己名下,令智雄無家可歸。看到對方依舊樂觀的樣子,受到觸動(dòng)的紅實(shí)承諾幫助他在短期內(nèi)攢到巨款。毫不知情的智雄對紅實(shí)的“善心之舉”懷抱感激。他開始學(xué)習(xí)無條件聽從紅實(shí)的命令,但是時(shí)常暴露的敗家本性又總會(huì)惹惱紅實(shí)。  紅實(shí)雖然異常吝嗇,內(nèi)心深處卻也有著女人的夢想。她把辛苦攢到的錢交給意中人(李相燁 飾)托管,期望有一天能成為配得上對方的好女人。卻不料一日意中人與情人攜款逃跑,令紅實(shí)深受打擊。而智雄也終于得知當(dāng)初無家可歸的內(nèi)幕,感到被利用的他是否會(huì)原諒紅實(shí)?

QB壞男孩和我2

斯艾娜·阿古頓,諾亞·貝克,詹姆斯·范德比克,德魯·雷·坦納

  Star QB Drayton and dancer Dallas face relationship challenges amid his recovery from a setback and her doubts about her future. Their bond strains as they deal with distance and personal changes.