蒂蕾茜亞

1.4 播放:10萬 2026-04-25

浪漫且唯美的詩人特拉諾瓦(Laurent暫無內容Lucas暫無內容飾)在夜晚邂逅了變性人蒂蕾茜亞(Clara暫無內容Choveaux暫無內容飾),這個有著纖細脆弱身材卻超凡脫俗的人兒緊緊攫住了特拉諾瓦的心。暫無內容詩人將蒂蕾茜亞帶回家,在強大占有欲的驅使下,他囚禁了這個在他看來如玫瑰花一般美麗的人。暫無內容但是,沒有雌性荷爾蒙的支持,蒂蕾茜亞無法繼續保持完美的女兒身。男性體征不斷出現,特拉諾瓦心中美好的暢想逐漸破碎......

在線看

同款熱播

馬騰你別走

林更新,李幼斌,宋茜,王彥霖,李雪琴,陳哈琳,馮雷,潘斌龍

沒錢沒愛還沒心沒肺的馬騰(林更新 飾)人近中年一事無成,是旁人眼里公認的“廢柴”!鋼廠退休骨干老林(李幼斌 飾)遵守鐵打的紀律活了一輩子本該安享晚年,身體和心理卻雙雙“亮起紅燈”!本無生活交集的兩人因為一場歪打正著的護工面試相遇,展開了一段啼笑皆非的有趣互救。老林為求解脫,將“協助自殺”的希望寄托在這個不靠譜的護工身上。馬騰雖然想賺錢完成女兒的心愿,但無膽害命,只能發揮自己的樂觀心態在日常中提供情緒價值給老林。二人在一段特殊的旅途中建立起生死友誼,于病痛與死亡的陰影里找到了活下去的小小微光,攜手大膽迎接未知的生活。

137號案件

蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達,戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森

  「為什么大家討厭警察?」男孩詢問母親。身為警察的史黛芬妮,負責的卻是警察暴力與失職案件調查。2018年,一名青年隨親友來到巴黎參與街頭抗議,卻因警方開槍,導致永久性腦部損傷。家人提出指控,警方卻矢口否認,關鍵證據亦是不足。內外壓力夾攻之下,史黛芬妮仍奮力調查,調閱攝像頭比對、還原警員動線,越逼近真相之際,同僚的敵意也越發強烈??

NO.1

崔宇植,張慧珍,孔升延

講述了每次吃媽媽做的家常飯時都能看到倒計時數字的河玟的故事。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超時空輝夜姬!

夏吉優子,永瀨安奈,早見沙織,入野自由,內田雄馬,松岡禎丞,青山吉能,小原好美,菲魯茲·藍,花江夏樹,釘宮理惠

“月讀”是希望與夢想交會的虛擬空間,而舞臺幕布將緩緩升起,見證幾位少女在此譜寫短暫卻珍貴的相遇篇章。                                                                        不久的未來……                                                                        東京的 17 歲高中生酒寄彩葉過著非常忙碌的生活,努力在打工和學業之間尋找平衡。她的紓壓方式是觀看很有人氣的月見八千代直播,八千代管理名為“月讀”的線上虛擬空間。                                                                        彩葉時常光顧月讀,在那里可以體驗不同的人生,自由揮灑創意。她就靠著支持八千代度過空閑時間,還會玩戰斗游戲賺一點外快。有一天,在回家路上,彩葉發現一根電線桿閃耀著奇異光芒,沒想到電線桿里竟然憑空冒出一個可愛的寶寶。彩葉沒辦法隨手拋棄寶寶,只好把她抱回家,眼睜睜看著她迅速長成一個跟自己同齡的少女。                                                                        “你是輝耀姬嗎?”                                                                        這是你絕對不曾看過的輝耀姬物語。

靈異隧道實錄

貝爾·德利亞,Andy Rodoreda,Steve Davis,盧克·阿諾德,戈蘭·D·克魯特,James Caitlin,Ben Maclaine,彼得·麥卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克

  澳大利亞悉尼,新南威爾士正遭受嚴重的干旱,水資源短缺成為亟待解決的問題。為了應對這一情況,政府決定開發一項水資源循環利用的項目,其中包括將位于悉尼城市下方的一段廢棄的鐵路隧道加以利用。圍繞隧道的改造和難民去向,在社會上引起了巨大爭論。雖然沸沸揚揚,但是該廢棄隧道的改造計劃卻戛然而止。與此同時,關于隧道中存在著神秘怪物的傳言也愈演愈烈。  一段Youtube上流傳的視頻引起了女記者娜塔莎·華納(貝爾·戴利亞 Bel Deliá 飾)的注意,她聯系了幾名業內的好友和同事,帶著攝像器材前往隧道中一探究竟,恐怖的旅程就此拉開序幕……