劇情縱覽
夢想的理想女人和3分鐘就ok 3位伙伴大秀景的前輩。喜歡,但她不感興趣。同步的還偷偷的喜歡,但大的泳鏡就只有望。 有一天,他找來的3位搭檔。中使用了三位合作伙伴通過3分鐘秀景鱈魚面前出現(xiàn)兩個熱情的過夜,越來越大的三位合伙人陷入了更多的女人交往,逐漸改變。。大秀景是真的愛能成功嗎?
夢想的理想女人和3分鐘就ok 3位伙伴大秀景的前輩。喜歡,但她不感興趣。同步的還偷偷的喜歡,但大的泳鏡就只有望。 有一天,他找來的3位搭檔。中使用了三位合作伙伴通過3分鐘秀景鱈魚面前出現(xiàn)兩個熱情的過夜,越來越大的三位合伙人陷入了更多的女人交往,逐漸改變。。大秀景是真的愛能成功嗎?
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
八個感化院的青年在兩名警官的監(jiān)督下,前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務,但是他們的到來卻無意中驚醒一個沉寂已久的惡魔。雅克布?古德奈特 飾(Glen Jacobs 格蘭“凱恩”雅克布 飾),身高七英尺,體重四百磅,頭骨里嵌著一個生銹的鐵盤,鋒利的指甲足夠戳穿對手眼睛的精神病患者。 雅克布四年前曾被警官弗蘭克?威廉姆斯(Steven Vidler 飾)槍擊頭部,卻僥幸逃生。如今弗蘭克正是這群青年的督導員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望,他舉起巨斧,將客棧變作血腥的屠宰場……
講述了結(jié)婚多年并育有一子的戲劇導演查理和女演員妮可因工作分居而不得不走向離婚,在這場為了爭奪撫養(yǎng)權的離婚拉鋸戰(zhàn)中,關于愛情、婚姻和家庭真實感人的細枝末節(jié)牽動人心。兩人的關系又將何去何從?