瘋馬秀
Crazy Horse瘋馬俱樂部始于1951年，以純正法式風格和口味的浪漫艷舞而著稱。其特色就是將L體、燈光、布景與歌舞結合，營造出聲、光、色、裸的;新境界位于巴黎中心金三角地區的瘋馬夜總會(CRAZY HORSE)由阿蘭.貝納丹( Alain Bernardin )創立于1951年。這個夜總會的演出，細膩的表達了情色之美，融合純正的感官刺激，給人們留下具有創造性，藝術性與神秘夜巴黎的深刻印象。 阿蘭.貝納丹( Alain Bernardin ) 認為L體藝術表達了藝術革新的本質。瘋馬夜總會這種類型的演出不是產生于那一天，而是一個時期演變的產物。在巴黎那些年代悠久的表演俱樂部當中，與之齊名的;紅磨坊卻可能更為我們所熟悉，不僅是因為那部由妮可.基曼出演的同名影片，其它以紅磨坊為背景或素材的影片也著實是有一些。其實說起瘋馬，它與紅磨坊的風格真是迥異其趣。紅磨坊的樂舞盡人皆知是一派夸張喧鬧、色彩繽紛、羽飾繚亂的歡騰，尤其是那種羽毛裝是其最大特色，而瘋馬的創始人Alain Bermardin從一開始即決定另辟蹊徑，在他的俱樂部舞臺上彰顯L體美學，去除掉多余的修飾和夸張的襯托，營造一種簡潔、神秘、耐人尋味的光影視覺效果，以富有想像力的肢體表演獨步天下。 即是裸舞秀，當然就一般理解而言也就是艷舞了，何況瘋馬的舞者清一色年輕漂亮的女孩，身材高挑，容貌標致，被譽為秀場的維納斯，演出時又是半裸或接近全裸，自然無限延展了觀眾的想像空間。但拜托各位不要聯想到那些低級場所的托衣舞、鋼管舞，艷舞也并不必然的和色情、**穢聯系在一起，艷舞也可以是如此富有美感的、如此藝術的舞臺表演，結合燈光、布景和編舞設計，達到聲、光、色一體，賞心悅目。要知道，這可是50多年歷久不衰的頂級裸舞表演，半個多世紀以來，瘋馬任憑斗轉星移卻始終堅持當初的美學理念，非關色情，不涉**穢，一代代的絕色美女在這里演繹著人體、歌舞、藝術的集大成，那真是千嬌百媚，顛倒眾生。
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光環：夜幕
麥克·柯爾特,克里斯蒂娜·鐘美劇《光暈：夜幕降臨》劇情是緊接《Halo4》和《Halo5》，其中游戲人物Jameson Locke(Mike Colter飾演)將繼續扮演核心角色，他即是一個“傳奇的賞金獵人”，同時也是美國海軍情報局的特工。 在預告片中，Jameson Locke和他的團隊陷入到一場有預謀的生物攻擊之中，在那里他們很快發現了這個陰謀，他們隨后被帶到了一艘遠古的飛行器里。在那里他們被迫“為生存而戰，并對一切事物保持猜疑”，最終在忠誠和生存之間做出抉擇。 最后微軟也表示，這部美劇《光環：夜幕降臨》將與《光暈》士官長典藏版同期上映，預計從11月11日開播。
毒鯊
克里斯蒂娜·馬斯特森,克里斯蒂娜·馬斯特森,Michelle Cortés當客人意識到有毒的鯊魚正在滋生周圍的水源時，一個熱帶單身度假勝地將會轉瞬即逝。 它不僅會撕裂受害者，而且還會使用拋射酸來進出水中。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
迷妄國度4
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暗黑新娘！
杰西·巴克利,克里斯蒂安·貝爾,彼得·薩斯加德,安妮特·貝寧,杰克·吉倫哈爾,佩內洛普·克魯茲,約翰·馬加羅,珍妮·柏林,路易斯·坎瑟米,馬修·馬希爾,朱莉安·浩夫,威廉·希爾,斯蒂芬妮·特洛亞克,馬西爾·摩丹,馬科·查卡,莉迪亞·凱莉,索菲婭·科,本·格林,伊蓮·阿普魯澤西,安東尼·貝里尼孤獨的科學怪人弗蘭肯斯坦（克里斯蒂安·貝爾 飾）來到了1930年代的芝加哥，懇請頂級科學家尤弗洛尼斯博士（安妮特·貝寧 飾）為他創造一位伴侶。兩人成功復活了一名被謀殺的年輕女子，“新娘”（杰西·巴克利 飾）就此誕生。然而事態發展卻遠超兩人想象：謀殺接踵而至，占有欲瘋狂滋生，新娘能否掙脫“被創造”的命運？在暗黑混沌的逃亡路上，一場女性覺醒風暴開始席卷整個世界。