害羞的味道

? 1.8 播放：74萬 2026-04-28
主演：???? ??? 

Izawa是一位科學家，他分析了放射性和免疫系統，并與妻子Shigure到Tohoku進行研究。 然而有一天，他的妻子西格（Sigure）離開家，獨自一人住在一個安靜的庇護所。 人們開始來到獨自避難所的避難所。 女職業摔跤手Sakuran和他的經理說，他們將盡力重建東北。 還有一個傾倒神秘話語并自稱為Wind博士的人 公主聞到他的妻子。 當看到風公主的妻子公主時，Izawa與Shigure非常相似。 查看完全相反的內容，您會感到孤獨。每天的輻射水平越來越高， 伊澤開始聽到空襲和幻覺爆炸的聲音。然后有一天，地震和爆炸同時發生， 收音機告訴您緊急撤離。雖然Izawa無意疏散所有人，但他來到自己的房間。 和氣味公主說話，他正在和她發生性關系，好像被某種東西吸引了。在某個時候，從氣味公主 伊澤找到志留，并選擇與她同住而不是與她同死， 最終，她帶她去尋找一個更安全的地方。

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? 播放 害羞的味道

劇情提要

Izawa是一位科學家，他分析了放射性和免疫系統，并與妻子Shigure到Tohoku進行研究。 然而有一天，他的妻子西格（Sigure）離開家，獨自一人住在一個安靜的庇護所。 人們開始來到獨自避難所的避難所。 女職業摔跤手Sakuran和他的經理說，他們將盡力重建東北。 還有一個傾倒神秘話語并自稱為Wind博士的人 公主聞到他的妻子。 當看到風公主的妻子公主時，Izawa與Shigure非常相似。 查看完全相反的內容，您會感到孤獨。每天的輻射水平越來越高， 伊澤開始聽到空襲和幻覺爆炸的聲音。然后有一天，地震和爆炸同時發生， 收音機告訴您緊急撤離。雖然Izawa無意疏散所有人，但他來到自己的房間。 和氣味公主說話，他正在和她發生性關系，好像被某種東西吸引了。在某個時候，從氣味公主 伊澤找到志留，并選擇與她同住而不是與她同死， 最終，她帶她去尋找一個更安全的地方。

幕后花絮

無處釋放我

　　影片聚焦布魯斯·斯普林斯汀打造1982年的著名專輯《Nebraska》時期，作為年輕音樂人的他努力應對成功的壓力，和令人困擾的過往。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.