香港淪陷 香港淪陷

遇見惡魔

　　曾經(jīng)的約翰（盧克·威爾遜 Luke Wilson 飾）是一名風(fēng)光無限的商人，偌大的豪宅，漂亮的妻子，可愛的女兒，當(dāng)金融危機(jī)爆發(fā)之時(shí)，約翰所擁有的這令人羨慕的一切都在轉(zhuǎn)瞬間成為了巨大的負(fù)擔(dān)，他和妻子之間原本美滿的感情也產(chǎn)生了裂痕。　　經(jīng)歷了糟糕的一天后，約翰拖著疲憊的身軀回到家，這時(shí)，一個(gè)名叫里奇（塞繆爾·杰克遜 Samuel L. Jackson 飾）的陌生人攔住了約翰，希望得到他的幫助。讓約翰沒有想到的是，里奇竟然是一名殺手，可是，里奇卻并沒有殺死約翰，正相反，在莫名其妙之中，約翰和里奇一同踏上了一段充滿了鮮血和殺戮的恐怖旅程。隨著時(shí)間的推移，約翰漸漸開始懷疑，他和里奇之間的相遇究竟是偶然還是必然。

女孩白日夢(mèng)

畢業(yè)在即，陳莉莉這位志向成為小說家的學(xué)生正努力克服拖延，面對(duì)現(xiàn)實(shí)與夢(mèng)想的交錯(cuò)，她能否完成自己的小說，勇敢邁向新生活？

大佛回國(guó)

新凱旋門

1982年，法國(guó)總統(tǒng)弗朗索瓦·密特朗決定為其任期的旗艦項(xiàng)目——拉德芳斯大拱門發(fā)起一場(chǎng)國(guó)際建筑競(jìng)賽，該項(xiàng)目與盧浮宮和凱旋門對(duì)齊。出乎所有人意料，一位在法國(guó)鮮為人知的 53 歲丹麥建筑師約翰·奧托·馮·斯普雷克爾森贏得了競(jìng)賽。這位建筑師打算完全按照自己的設(shè)想建造大拱門，但他的理念很快與實(shí)際限制和政治變幻莫測(cè)相沖突。這部電影以真實(shí)事件為靈感，講述了這位理想主義的丹麥建筑師如何努力在政治博弈、官僚主義和藝術(shù)自由的限制下實(shí)現(xiàn)其宏偉愿景的故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

全力奔跑

曾是韓國(guó)最快短跑選手的姜九榮（河錫辰 飾），因傷病、離婚、負(fù)面?zhèn)髀勏萑肷牡凸龋媾R退役危機(jī)，只剩最后一次機(jī)會(huì)挽回?fù)磹邸⒅厥皹s光；同時(shí)，熱血高中生姜?jiǎng)倭遥ɡ钚庞?飾）為追求心儀的女孩智恩，踏上短跑之路全力沖刺。兩代跑者的人生在賽道上交集，在速度與熱愛中完成自我救贖，致敬韓國(guó)田徑的塵封紀(jì)錄。