苦妓追憶錄

★ 2.2 播放：50萬 更新：2026-04-27

九十歲的老記者（Marco暫無內容Antonio暫無內容Trevi?o暫無內容飾）要迎來自己的壽辰，于是致電老朋友——妓院老鴇羅薩（Geraldine暫無內容Chaplin暫無內容飾），要求她為自己找一個處女過夜。一位年輕的女工（Alejandra暫無內容Barros暫無內容飾從此進入老人的生活，白天，她在工廠縫扣子，晚上，她穿過半個城市來到妓院，裸露睡下供老人把玩，在他面前始終昏迷不醒。老人把她叫作德爾加蒂娜，慢慢發覺自己愛上了她，在沉睡的她面前，他回憶起自己一生的所有風流荒唐，家里的洗衣婦，訂過婚又被他拋棄的女孩，夜夜笙歌的妓院美景……他越來越發覺自己已經離不開德爾加蒂娜，而她在他睡著后也會偷偷觀察他的一切，對他頗有好感，但是一場意外發生的兇殺案令妓院被迫關閉，德爾加蒂娜就此不見，老人開始發瘋尋找……

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劇情簡介

九十歲的老記者（Marco暫無內容Antonio暫無內容Trevi?o暫無內容飾）要迎來自己的壽辰，于是致電老朋友——妓院老鴇羅薩（Geraldine暫無內容Chaplin暫無內容飾），要求她為自己找一個處女過夜。一位年輕的女工（Alejandra暫無內容Barros暫無內容飾從此進入老人的生活，白天，她在工廠縫扣子，晚上，她穿過半個城市來到妓院，裸露睡下供老人把玩，在他面前始終昏迷不醒。老人把她叫作德爾加蒂娜，慢慢發覺自己愛上了她，在沉睡的她面前，他回憶起自己一生的所有風流荒唐，家里的洗衣婦，訂過婚又被他拋棄的女孩，夜夜笙歌的妓院美景……他越來越發覺自己已經離不開德爾加蒂娜，而她在他睡著后也會偷偷觀察他的一切，對他頗有好感，但是一場意外發生的兇殺案令妓院被迫關閉，德爾加蒂娜就此不見，老人開始發瘋尋找……

導演精選

鱷魚變

　　一個女孩在被催眠下,講出了她身世的秘密,原來她的丈夫在結婚當晚神秘消失,她多方尋找最后發現了丈夫身上的秘密,而她的丈夫竟變成了...

光環：夜幕

　　美劇《光暈：夜幕降臨》劇情是緊接《Halo4》和《Halo5》，其中游戲人物Jameson Locke(Mike Colter飾演)將繼續扮演核心角色，他即是一個“傳奇的賞金獵人”，同時也是美國海軍情報局的特工。　　在預告片中，Jameson Locke和他的團隊陷入到一場有預謀的生物攻擊之中，在那里他們很快發現了這個陰謀，他們隨后被帶到了一艘遠古的飛行器里。在那里他們被迫“為生存而戰，并對一切事物保持猜疑”，最終在忠誠和生存之間做出抉擇。　　最后微軟也表示，這部美劇《光環：夜幕降臨》將與《光暈》士官長典藏版同期上映，預計從11月11日開播。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.