我自己的愛達荷

0.4 播放:08萬 更新:2026-04-28

麥克(瑞凡?菲尼克斯)和斯考特(基努?里維斯)同為淪落街頭的男妓,然而因為相差巨大的家庭背景,“同為天涯淪落人”的他們并非表面般“心照不宣”。

即刻觀影

劇情賞析

麥克(瑞凡?菲尼克斯)和斯考特(基努?里維斯)同為淪落街頭的男妓,然而因為相差巨大的家庭背景,“同為天涯淪落人”的他們并非表面般“心照不宣”。

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畢業在即,陳莉莉這位志向成為小說家的學生正努力克服拖延,面對現實與夢想的交錯,她能否完成自己的小說,勇敢邁向新生活?

迷妄國度3

碧帕莎·芭素,埃朗·哈斯米,杰奎琳·費南德斯

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讓她走

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好像一切都很糟糕

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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該片基于Tilar J. Mazzeo所著小說《The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It》,講述19世紀法國凱歌酒莊早年的堅韌發家歷程,將這個標志性橙色品牌背后的迷人年輕女子形象栩栩如生地展現出來。                                                                        凱歌香檳1772年由商人菲利普·克里科創立,其子弗朗索瓦·克里科與商業大亨尼古拉斯·龐薩丁的女兒芭比·妮可·龐薩丁結婚后,夫妻倆逐漸接手酒廠,一同發展香檳事業。七年后,弗朗索瓦在30歲時因傷寒突然去世,震驚的菲利普打算清算公司,27歲的芭比決定接管丈夫的生意,成為19世紀初期在男性主導的世界中經營國際企業的首批商業女性之一。在當時的法國,寡婦是唯一不需要經過丈夫或父親的同意進行工作、讀書的女性。                                                                        因為戰爭,酒業一度搖搖欲墜,公司面臨破產,芭比通過將香檳出口到俄羅斯力挽狂瀾,拿破侖戰爭期間,凱歌香檳在整個歐洲的皇室宮廷取得了大幅進展,將其確立為整個歐洲上流社會和貴族青睞的飲品方面發揮了重要作用。

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