愛情入戲

? 4.9 播放：00萬 2026-04-27

皮特羅（瓦格納·馬拉暫無內容Wagner暫無內容Moura暫無內容飾）和安娜（萊提西婭·薩貝特拉暫無內容Letícia暫無內容Sabatella暫無內容飾）因為分飾話劇《特里斯特拉姆和伊瑟爾特》中的男女主角而相識相知，之后迅速的墜入了愛河之中。這宗劇目也因為這兩人的存在而迅速走紅。之后，安娜決定放棄舞臺，轉戰電視銀幕，開始演起了電視劇，并且迅速走紅，而皮特羅依然執著于舞臺劇的表演。

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劇情提要

皮特羅（瓦格納·馬拉暫無內容Wagner暫無內容Moura暫無內容飾）和安娜（萊提西婭·薩貝特拉暫無內容Letícia暫無內容Sabatella暫無內容飾）因為分飾話劇《特里斯特拉姆和伊瑟爾特》中的男女主角而相識相知，之后迅速的墜入了愛河之中。這宗劇目也因為這兩人的存在而迅速走紅。之后，安娜決定放棄舞臺，轉戰電視銀幕，開始演起了電視劇，并且迅速走紅，而皮特羅依然執著于舞臺劇的表演。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

黑暗心靈

　　艾丁一直相信，過去的一切已經過去，他由一位善良的養父撫養長大，最終找到了家的感覺。然而，當他的親生父母被神秘謀殺后，一切都改變了。悲痛和對正義的渴望驅使著他。