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柏林危機(jī)
湯姆·弗拉席亞,瑪莎 萊奧妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基達(dá)·拉馬丹,蒂姆·維爾德大帝機(jī)器人
伊武雅刀,洞口依子,森本治行,吉田友紀(jì)治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska航越地平線
妮可·基德曼,山姆·尼爾,比利·贊恩德國懸案事件簿:失蹤警探
羅蘭·維斯內(nèi)克,梅克·德羅斯特,馬克·本杰明·普赫同類推薦
鬼鯊
Mackenzie Rosman,Dave Randolph-Mayhem Davis,Amy Brassette,Sloane Coe,金·柯林斯粗魯蠻橫的博貝克(金·科林斯 Kim Collins 飾)和女兒維多利亞(Amy Brassette 飾)參加釣魚大賽,誰知到手的魚兒卻被一條白鯊吃掉。博貝克勃然大怒,竟然用炸藥對付鯊魚,結(jié)果父女引來了可怕的殺身之禍,連駕駛游艇的船長也無法幸免。次日,愛娃(Mackenzie Rosman 飾)、卡梅隆(Jaren Mitchell 飾)、米克(Shawn C. Phillips 飾)、布雷西(Dave Randolph-Mayhem Davis 飾)等幾名年輕人來海邊玩耍,可在歡樂之時(shí)一條全身散發(fā)熒光的鯊魚向人們發(fā)起猛烈攻擊。原來鯊魚也有憎惡怨恨之心,昨晚的鯊魚雖被博貝克炸死,但它的怨念使它化身為復(fù)仇的鬼鯊魚,向所有人類展開報(bào)復(fù)。 而這一切的背后,又藏著不可告人的秘密……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
小意大利
艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛羅,安德列·馬丁,簡·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托Voltage Pictures拿下艾瑪·羅伯茨、海登·克里斯滕森主演的浪漫愛情片[小意大利](Little Italy,暫譯)的國際銷售權(quán)。該片由唐納德·佩特瑞([倒霉愛神])執(zhí)導(dǎo),故事類似現(xiàn)代版羅密歐與朱麗葉,講述一名見習(xí)廚師同一位餐廳老板墜入愛河。他們父親是商業(yè)死對頭,母親卻是秘密的閨中好友。
愉快動(dòng)物餅干電影版
松田元太,水上恒司,高石明里,藤森慎吾,蒼井翔太,小澤亞李,水瀨祈,東山奈央,立木文彥,間宮胡桃本片以1978年開始發(fā)售就一直受到喜愛的點(diǎn)心“愉快動(dòng)物餅干”為基礎(chǔ)制作,講述了以獅子為首,大象、河馬、猴子、小兔、小貓、長頸鹿、鱷魚、小雞,以及新角色天馬行空又哭又笑的故事,描寫了只有“可愛”這一優(yōu)點(diǎn)的他們,為了拯救世界滅亡的危機(jī)而奮斗的模樣。
虎紋少女
扎芙林·宰麗扎爾,迪娜·埃茲拉爾,碧卡,莎黑茲·薩姆,郡·洛瓊,海魯納茲萬·羅德茲伊,Fatimah Abu Bakar故事一開始,我們見到了12歲的扎凡(扎芙林·宰麗扎爾 Zafreen Zairizal 飾),一個(gè)叛逆而無憂無慮的女孩。然而,她的身體開始發(fā)生可怕的變化,而她卻試圖否認(rèn)和掩飾這些變化,希望在學(xué)校里保持正常的生活。隨著朋友們對扎凡的排擠和攻擊,情節(jié)逐漸升級,達(dá)到了一個(gè)臨界點(diǎn),整個(gè)學(xué)校陷入恐慌。 學(xué)校里關(guān)于廁所里藏著一個(gè)暗影的傳說加劇了恐懼氛圍,而一位自告奮勇的醫(yī)療官?zèng)Q定趕走困擾眾人的惡魔。醫(yī)療官很快發(fā)現(xiàn)扎凡可能是問題的根源,打算為她進(jìn)行驅(qū)魔。扎凡的內(nèi)心狀態(tài)宛如一只被拖出棲息地的受驚老虎,她最終決定向眾人展示真實(shí)的本性,包括憤怒、狂暴和美麗。這可能是一個(gè)關(guān)于接受自己真實(shí)面貌的故事,同時(shí)也涉及到對于社會(huì)標(biāo)準(zhǔn)和期望的反抗。