劇情縱覽
間官周吉的妻子去世得早，留下他和三個孩子相依為命。幸一是周吉的大兒子，他和名為百合子的女子結為夫婦，兩人和周吉同住。幸一的妹妹秋子是一個走在時代前沿的新新女性，并不著急著嫁為人婦的她目前在辦公室工作。家中最小的孩子和夫還在上學。一大家子人住在一起，生活擁擠而又充滿生機。
在線暢看
臻選佳作
遠足驚魂
塔梅爾·哈桑,芭芭拉·尼德爾加科娃,本·洛伊德·霍爾姆斯,Zara Phythian,Daniel Caren
講述一個從阿富汗的退役的女兵凱特組織了一群年輕美貌的少女到英國鄉村業林里探險活動……
邪惡之屋
喬賽琳·唐娜休,湯姆·諾南,瑪麗·沃倫諾夫,格蕾塔·葛韋格,AJ·鮑恩,迪·沃倫斯,希瑟·羅博,莉娜·鄧納姆,格雷厄姆·瑞斯尼克,緹·威斯特
20世紀80年代，美麗的女大學生薩曼莎·休斯（喬塞琳·多納休 Jocelin Donahue 飾）看上一間公寓，好心的女房東已經免去了麻煩的保證金，不過薩曼莎還是要為了每月的房租而努力。她從布告欄找到一份保姆的工作，當晚，薩曼莎的好友梅根（格蕾塔·葛韋格 Greta G erwig 飾）送她前往雇主家面試。梅根對這份工作頗有顧忌，而薩曼莎似乎急于賺錢，全不在意。 雇主烏爾曼夫婦住在荒郊野外的一幢老式別墅中，這里沒有小孩需要照看，文森特·烏爾曼先生（湯姆·諾南 Tom Noonan 飾）要為他生病的母親找一位護理人員。薩曼莎起初惴惴不安，但看在錢的份上她最終選擇留在這里。而她將為這個選擇后悔莫及……
風中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾
29歲的洛朗正在尋找人生的意義。他最終來到一個淡季的廢棄滑雪場，很快融入了當地少數居民的奇特生活。當冬季來臨游客涌入時，洛朗卻發現自已已無法抽身……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.