劇情縱覽
1877年圣誕節,奧地利萬人敬仰的茜茜公主迎來了她40歲的生日。雖然貴為奧地利與匈牙利的皇后和弗朗茨·約瑟夫一世皇帝的妻子,她卻沒有表達自我的權利,只需保持美麗和年輕的狀態即可。為了滿足人們的這些期待,她一直在嚴格地節食、健身、美發、每日測量腰圍。這些規則令她感到窒息,她渴望知識和生活,不愿只做一個美麗的花瓶,因此開始越來越頻繁地打破這個形象。
1877年圣誕節,奧地利萬人敬仰的茜茜公主迎來了她40歲的生日。雖然貴為奧地利與匈牙利的皇后和弗朗茨·約瑟夫一世皇帝的妻子,她卻沒有表達自我的權利,只需保持美麗和年輕的狀態即可。為了滿足人們的這些期待,她一直在嚴格地節食、健身、美發、每日測量腰圍。這些規則令她感到窒息,她渴望知識和生活,不愿只做一個美麗的花瓶,因此開始越來越頻繁地打破這個形象。
獅門出品 必屬精品 暴風雨來襲 一女孩和她有孤獨癥的弟弟被困在一個有老虎的房子里
在經歷了小丑阿特的萬圣節大屠殺后,西耶娜和她的兄弟正在努力重建他們破碎的生活。隨著節日的臨近,他們試圖擁抱圣誕精神,把過去的恐怖拋在腦后。但就在他們以為自己安全的時候,小丑阿特回來了,決心把他們的節日歡樂變成一場新的噩夢。隨著阿特釋放出他扭曲的恐怖,節日很快就結束了,證明沒有一個節日是安全的。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
講述某處某個“式”的故事——它究竟是祝福,還是一場離別的儀式?答案,藏在某個尚未抵達的地方。