在線播放
劇情簡介
「豪情夜生活」電影版,相信會是香港開埠以來,對港澳夜生活,作出最深入報導之電影,由于「豪情」雜誌與港澳夜生活場所的良好關系,均愿意提供真實場地,將運作首變透明化,甚至有行內小姐,現身說法,電影以「真」為賣點,定能吸引觀眾欣賞優游社區興趣,專欄作家肥龍,將會選出砵蘭街最佳馬檻,至于骨場流行招式,如冰火五重天,油浸禾花雀及電光毒龍鉆等,片中都會有詳盡解釋即藉示范。澳門夜生活,比香港有之而無不及,其中尤以泰式浴室最為出色,著名的「打令浴室」,將會提供小姐裸體替客人沖涼之訓練過程,撩起客人慾火的招式示范.....
同類好片
最后決戰
皮埃爾·若利韋,讓·布伊茲,讓·雷諾左撇子女孩
蔡淑臻,馬士媛,葉子綺,黃鐙輝,陳慕義,張允曦,趙心妍,夏騰宏,林嫣創圣大天使:一發逆轉篇
寺島拓篤,嘉數由美,小林沙苗,森川智之,石冢運升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahel寫寫畫畫
永野芽郁,大泉洋,見上愛,畑芽育,鈴木仁,神尾楓珠,森愁斗,青柳翔,長井短,津田健次郎,齊藤由貴,有田哲平,山野仁,大森南朋幸福2024
洼冢愛流,蒔田彩珠人氣佳作
神探伽利略 禁斷的魔術
福山雅治,北村一輝,新木優子,村上虹郎,森七菜,渡邊一計,澤部佑,朝倉亞紀,中村雅俊,鈴木浩介,平原テツ火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón Lofer玉米地的孩子:起源
琳達·漢密爾頓,考特尼·蓋恩斯,彼得·霍頓羊背上的DJ
Arif Jakup,Agush Agushev,Aksel Mehmet,Dora Akan Zlatanova,Selpin Kerim,Atila Klince,Elhame Bilal,Metin Ibrahim,Tamer Ibrahim,Adem Karaga,Nadzi Shaban導演精選
這個男人來自地獄
在計劃被處決的當天,一名被定罪的連環殺手接受了精神病評估。在評估期間,他聲稱自己是一個惡魔,并進一步聲稱,在評估時間結束之前,精神病學家自己將犯下三起謀殺案。Steve Deace所撰寫的宗教題材暢銷書A Nefarious Plot的前傳電影。
狗舍
為了幫助好友文斯(斯蒂芬·格拉漢姆 Stephen Graham 飾)度過傷心的離婚,一群好友尼爾(丹尼·戴爾 Danny Dyer 飾)、科勒雷(比利·穆瑞 Billy Murray 飾)、米奇(洛爾·克拉克 Noel Clarke 飾)、馬特(李·恩格里比 Lee Ingleby 飾)等人帶著他前往一偏僻小鎮度假。本以為去的是人間天堂,結果他們卻發現這里根本就是地獄,因為這里的女人都染上了怪病,會像僵尸一樣襲擊、吃掉所有男人。盡管這些男人平時都是唯唯諾諾的“妻管嚴”,但是面對女僵尸他們絕不手軟,于是一場好好的度假徹底淪為了爺們兒大戰女僵尸的戰爭。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.