妻NTR 零 我的過錯她的選擇

評分：4.1 播放：40萬 更新：2026-04-28
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靜水城

馬特·達蒙,卡米爾·科坦,阿比蓋爾·布雷斯林,利魯·肖沃,狄安娜·杜納甘,伊迪爾·阿祖格利,安娜·勒尼,茂薩·馬斯克里,伊莎貝爾·塔納克,奈德拉·阿亞迪,吉爾伯特·特拉尼亞,威廉·納迪蘭,沙扎德·拉蒂夫,米歇爾?邦波,莎拉·布魯克斯,埃里克·斯達克,羅伯特·皮特斯

　　影片圍繞一個來自俄克拉荷馬州的美國石油鉆井平臺鉆工比爾(達蒙飾)展開。他不得不前往馬賽，拜訪他久未謀面卻鋃鐺入獄的女兒(布雷斯林飾)，他的女兒堅稱并沒有犯下謀殺罪。面對語言的障礙、文化的差異，以及復雜的法律制度，比爾決意孤注一擲拯救他的女兒。而在這個過程中，他與一位當地的女性和她的小女兒建立了友誼，也開始了個人的探索之旅，并獲得了更大的歸屬感。

星光繼承者/僵尸高校生：繁星匯聚演唱會

瑪利亞·貝克,瑪拉基·巴頓,凱莉·坎特羅爾,喬舒亞·科利,梅格·唐納利

《殭屍高校生》與《星光繼承者》的世界在此交會，帶來一場盛況空前的演唱會！兩部作品的卡司將首度合體登臺演出。由瑪莉亞·貝克、馬拉奇·巴頓、凱莉·坎特拉爾、約書亞·科利、梅科南·奈夫、達拉·蕾妮、芙蕾雅·史凱領銜，更有瑞塔·歐拉、麥洛·曼海姆、梅格·唐納利、利亞曼尼·塞古拉等特別嘉賓驚喜現身。

百米。

松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀,種崎敦美,悠木碧,內田雄馬,內山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽彩,杉田智和

　　他，天生就跑得快。此外沒有優于他人的地方了，但也覺得只要跑得快就足夠了。得以立足于學校、成為交友的橋梁。這便是，這位少年的一切。而與他相遇的，是為了忘掉痛苦而跑步的少年。他跑得并不快，卻有熱情。被他的熱情所感染，隨后感受到了興奮。可、這卻是“異常”的開端。“100米”，讓一切都變得瘋狂。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.