劇情縱覽
基本上是弱智的故事線。有兩個優秀的x愛場面與里賈納羅素暫無內容-暫無內容在開頭和結尾的電影。這85分鐘的電影,很容易被濃縮至約20分鐘。只能眼睜睜地看著錄音的版本,這樣你就可以快進THRU。
基本上是弱智的故事線。有兩個優秀的x愛場面與里賈納羅素暫無內容-暫無內容在開頭和結尾的電影。這85分鐘的電影,很容易被濃縮至約20分鐘。只能眼睜睜地看著錄音的版本,這樣你就可以快進THRU。
民國中后期,官僚腐敗,道德滑坡,民生環境日益惡化。亞細亞建筑公司老板王大偉等人為了謀取私利,在工人勞保和保險上違規節省成本,導致工人意外身亡,該工人妻子在王大偉等人打麻將的茶館進行秘密復仇……
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
芮安·辛普金斯([布里斯比熊])、克洛伊·貝利(《成長不容易》)加盟,羅素·克勞主演的米拉麥克斯打造的超自然驚悚片[喬治城項目](The Georgetown Project,暫譯)。約書亞·約翰·米勒、M·A·福廷自編自導??藙趯椦菹萑肜Ь车难輪T安東尼·米勒,他在拍攝一部恐怖片的時候,開始變得不安。與他疏遠的女兒(芮安飾)想知道他是不是再次毒癮發作,還是遭遇了什么邪惡的東西。克洛伊飾演這部恐怖片中的女演員。影片目前在華盛頓拍攝中。