誘惑之夏這就是我們所說的夏天

　　片中卡雅·斯考達里奧飾演伊曼紐爾，她迷上了長得酷像她死去母親的新鄰居(杰西卡·貝爾飾）。為了照顧她新生的孩子，伊曼紐爾陷入了一個虛幻易碎的世界，并成為了那里的守門人…

 某座美軍廢棄的地下工業(yè)基地，數(shù)年前因一系列恐怖事件而關(guān)閉。而今，無所畏懼的時尚男女在這里開啟狂歡派對，縱情享樂之際全然不知危險將近。馬特（Ross Thomas 飾）、米拉（Sofia Pernas 飾）、艾瑞克（Jeff D'Agostino 飾）、詹娜（Christine Evangelista 飾）、伊芙和斯托姆（Adrian R'Mante 飾）等六名好友在派對高潮和另一伙人發(fā)生矛盾，沖突過后，他們倉皇躲入一座地下設(shè)施內(nèi)，結(jié)果卻被對方反鎖在里面。少頃曲終人散，馬特他們遇見另外兩個在此歡愛的男女。他們結(jié)伴尋找逃出去的路，誰知竟遭遇了恐怖嗜血的可怕生物。黑暗寒冷的地下，魔鬼的盛宴拉開序幕……

　　據(jù)日本警方統(tǒng)計，每年僅提交申請的失蹤人口就達10萬人，其中9萬人的行蹤可疑確認(rèn)，但仍有1萬人下落不明。位于遠郊的一座深山叢林，似乎具有著強烈的魔性，無數(shù)人進入這里，從此消失無蹤。少女繭（日南響子 飾）偶然和父親目擊一輛綁架了少女的車，父女倆一路追蹤，走上了不歸之途；家庭主婦真奈（桐島れいか 飾）十年前曾在林中丟失長女，如今他的小女兒阿櫻離家上學(xué)后也一去不返；正在拍攝恐怖電影的新人女演員麗奈（飛鳥凜 飾）結(jié)束工作后，不得不穿越那座恐怖的森林，其中的景象與聲音令她戰(zhàn)栗不已；小女孩薰（藤本七海 飾）受托照顧?quán)徏业暮⒆樱墒撬齾s遭遇了一個恐怖的人形。　　不同的人，不同的故事，同樣的恐怖……

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster