性愛(ài)娃娃

　　一名過(guò)氣冰上曲棍球教練，在麻州小鎮(zhèn)中領(lǐng)導(dǎo)一隊(duì)二流球隊(duì)輾轉(zhuǎn)作戰(zhàn)，終于在最后一場(chǎng)比賽中挽回他失落的名聲。這是一部拍得相當(dāng)直率粗暴的男性化運(yùn)動(dòng)片，冰上曲棍球的比賽場(chǎng)面經(jīng)常可見(jiàn)互毆和流血鏡頭，加上對(duì)白的"四字經(jīng)"不絕于耳，當(dāng)年首映時(shí)也引起了不少爭(zhēng)論。曾經(jīng)合作過(guò)金像獎(jiǎng)電影《刺激：騙中騙》的導(dǎo)演喬治·萊希爾和明星保羅·紐曼，再一次表現(xiàn)出賣(mài)力的成績(jī)。

　　提奧·詹姆斯、艾米麗·拉塔科夫斯基(《消失的愛(ài)人》)主演犯罪新片《謊言與偷竊》(Lying and Stealing)首曝劇照，近日剛于洛杉磯開(kāi)拍。Matt Aselton(《不可思議》)執(zhí)導(dǎo)，講述一個(gè)年輕、圓滑的賊Ivan，他的專(zhuān)長(zhǎng)是盜竊洛杉磯上層集團(tuán)的高端藝術(shù)品，事業(yè)發(fā)展很順利，但他想退出。Elyse是一名很有前途的女演員，她的密室里堆有成山的建筑骨架和大量債務(wù)。兩位機(jī)靈的騙子決定合作，參與一項(xiàng)大膽的搶劫案。　　弗雷德·邁拉麥德(《嚴(yán)肅的男人》《炸天女郎》)、Ebon Moss-Bachrach(《懲罰者》《末日孤艦》)、Isiah Whitlock Jr.(《迷霧》《副總統(tǒng)》)、伊萬(wàn)·漢德勒(《加州靡情》《欲望都市》)、約翰·蓋汀斯(《鐵甲鋼拳》《極品飛車(chē)》)等參演，Michael Costigan(《斷背山》《美國(guó)黑幫》)、Naomi Despres(《一級(jí)重罪》《殺死信使》)、Christopher Tricarico(《高堡奇人》《五月夏日》)、Mohamed AlRafi(《毋庸置疑》)共同制片。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

一名男子在加利福尼亞沙漠徒步旅行時(shí)，發(fā)現(xiàn)自己的車(chē)不見(jiàn)了。當(dāng)他四處尋找時(shí)，他跟著一個(gè)流浪的男孩，最終來(lái)到了一個(gè)年輕女子占據(jù)的偏遠(yuǎn)小屋。兩人之間發(fā)生了一種奇怪的動(dòng)態(tài)，伴隨著幾次與威脅女孩的男孩的暴力沖突。當(dāng)這個(gè)男人意識(shí)到他掉進(jìn)了一個(gè)精心設(shè)計(jì)的陷阱時(shí)，想要避免他將要遭受的可怕后果已經(jīng)太晚了。《種子》是作家兼導(dǎo)演巴納比·克萊的一部大膽、噩夢(mèng)般的處女作，他的著名mv作品包括Gnarls Barkley的歌曲、“YYYs”等。這部慢熱的震撼劇講述了有毒的男子氣概和我們對(duì)孤立的恐懼，它有效地呈現(xiàn)了一個(gè)男人在面對(duì)絕望和生存之戰(zhàn)時(shí)心理的惡化。作為新人，巴納比·克萊是一位不可忽視的導(dǎo)演。(南宗錫)