劇情縱覽
男主女友在國外,背著女友在色情會所跟一個熟女鬼混了三個月,彼此產生了感情,然而女友即將回國,男主不得不斷了這段關系,就在男主準備一心一意跟女友好好過日子的時候,才發現夜店熟女竟然是女友的媽媽,這段與岳母不倫的感情,似乎會一直持續下去....
男主女友在國外,背著女友在色情會所跟一個熟女鬼混了三個月,彼此產生了感情,然而女友即將回國,男主不得不斷了這段關系,就在男主準備一心一意跟女友好好過日子的時候,才發現夜店熟女竟然是女友的媽媽,這段與岳母不倫的感情,似乎會一直持續下去....
「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫の舞臺を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを岡田が演じる。
某紡織廠的音樂部教師東植對錦川發生的一起殺人事件表示出極大的興趣。 某天,東植從女工郭善英處收到一封情書,并向舍監告發,善英被工廠開除。曾鼓勵善英寫信的朋友趙慶熙借著鋼琴輔導的契機開始出入東植家。為了貼補家計,東植妻子做了很多裁縫活兒,身體越來越虛弱。東植委托慶熙尋找到一名合適的下女,幫助持家。妻子懷孕回娘家的當下,慶熙借機向東植表達了愛意,卻受到辱蔑被攆了出去。這一切都被窗外的下女看到眼里。下女借機誘惑東植,并與之發生了肉體關系。三個月后,下女懷孕。東植的妻子知道真相后,將下女推下樓梯,導致流產。失去孩子的下女怒火中燒,性情開始變得暴烈。結果,下女將東植夫婦倆的孩子也推下樓梯,藏了起來。下女以向工廠曝光所有事實相要挾。為了保住整個家庭,東植將二層的房間讓給下女。最后,準備和下女一起吃耗子藥自殺的東植看到死在臺階上的下女,毅然拋棄了她,重新回到了妻子身邊。這時,電影畫面再次回到東植夫婦看著有關那起殺人新聞的畫面,東植不禁說道:這樣的事情有可能發生在任何一個人的身上。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
小說作家阿貞與拳王父親從小存在隔閡,父親離世后,她通過格斗競技探尋真相,逐漸理解父親并完成自我蛻變。影片圍繞父愛與親情展開,男主角雖格斗天資一般,仍不懈追尋夢想。劇情融合文與武轉換、善與惡抉擇,最終阿貞為父正名,成為真正的格斗家 。