肉屋

★ 0.6 播放：21萬 更新：2026-04-29

歐也妮的父親的指導下，德圣昂熱夫人已被告知，"教育"的吸引力，但天真的歐仁妮。德圣昂熱夫人介紹了歐仁妮兩名男子是誰教她。 　　

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劇情簡介

歐也妮的父親的指導下，德圣昂熱夫人已被告知，"教育"的吸引力，但天真的歐仁妮。德圣昂熱夫人介紹了歐仁妮兩名男子是誰教她。 　　

導演精選

一百樣東西

　　安東尼（馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾）和保羅（弗洛里安·大衛·弗里茨 Florian David Fitz 飾）是從小玩到大的青梅竹馬，兩人共同經歷了太多的事情，彼此之間的友誼堅不可破。成年之后，他們一起創辦了一家公司，這一天，公司覓得了一名非常慷慨的投資人，為了慶祝這件事情，公司里開設了一場盛大的派對，在派對上，玩的興起的安東尼和保羅決定打一個賭，賭注是公司百分之五十的股份。　　安東尼和保羅交出了身上所有的東西，兩人回歸到身無分文的狀態，然后每一天，他們都可以在他們所擁有的東西里拿回一件，如此往復，看誰能夠撐更長的時間，先放棄的人就是輸家。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

殺戮元兇：狙擊手

　　Katrine Ries Jensen警探和法律神經病專家托馬斯·謝弗正在哥本哈根警局組建了一個連環殺人案調查小組。隨著調查的深入，慢慢隱現了一個與謝弗過去處理過的一個案子有關。作為初出茅廬的神經病專家，他曾經送回一個病人去往精神病醫院，因為他能把一個交通事變的細節繪聲繪色的描繪出來。現在這些血腥的描繪一個個閃現出來，翻開了一個個真正在的命案……