與鴨共舞

? 5.4 播放：05萬 2026-04-28

退休舞男Simon現(xiàn)從事古董買賣經(jīng)紀(jì)，生性風(fēng)流倜儻，他的表弟Mike是一個(gè)新入行的舞男，因事惹上官司，Simon為救表弟，因而與性格保守的女助理檢控官Sandy相識(shí)，最后Simon于庭上斗贏了Sandy，令Sandy對(duì)他又愛又恨。富家太太留太太嫁了世家子Peter，沒有女兒，令家族甚為不滿，Peter遂與妻子合謀用金錢雇請(qǐng)舞男借種，唯留太太只看中退休舞男Simon。Sandy有陰險(xiǎn)上司林沖，時(shí)常壓迫她，并且聯(lián)合殺鴨警司掃蕩舞男，Sandy這時(shí)對(duì)Simon有愛慕之意，欲通知Simon，結(jié)果反被上司知悉，遭受革退，Simon知悉Sandy消沉，極盼與Sandy和好發(fā)展一段真正友情，留太太本來利用Simon借種，結(jié)果愛上Simon，苦纏Simon，Simon欲向留太太攤牌，Peter出現(xiàn)，糾纏間Simon錯(cuò)手殺了Peter，留太太大力指證simon謀殺丈夫。Sandy為救情郎充任Simon辯護(hù)律師運(yùn)用智謀，引得留太太暴露弱點(diǎn)，成為污點(diǎn)證人，Simon無罪釋放。 　　

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劇情提要

退休舞男Simon現(xiàn)從事古董買賣經(jīng)紀(jì)，生性風(fēng)流倜儻，他的表弟Mike是一個(gè)新入行的舞男，因事惹上官司，Simon為救表弟，因而與性格保守的女助理檢控官Sandy相識(shí)，最后Simon于庭上斗贏了Sandy，令Sandy對(duì)他又愛又恨。富家太太留太太嫁了世家子Peter，沒有女兒，令家族甚為不滿，Peter遂與妻子合謀用金錢雇請(qǐng)舞男借種，唯留太太只看中退休舞男Simon。Sandy有陰險(xiǎn)上司林沖，時(shí)常壓迫她，并且聯(lián)合殺鴨警司掃蕩舞男，Sandy這時(shí)對(duì)Simon有愛慕之意，欲通知Simon，結(jié)果反被上司知悉，遭受革退，Simon知悉Sandy消沉，極盼與Sandy和好發(fā)展一段真正友情，留太太本來利用Simon借種，結(jié)果愛上Simon，苦纏Simon，Simon欲向留太太攤牌，Peter出現(xiàn)，糾纏間Simon錯(cuò)手殺了Peter，留太太大力指證simon謀殺丈夫。Sandy為救情郎充任Simon辯護(hù)律師運(yùn)用智謀，引得留太太暴露弱點(diǎn)，成為污點(diǎn)證人，Simon無罪釋放。 　　

幕后花絮

瘋狂舞蹈辦公室

講述了獨(dú)自撫養(yǎng)女兒的公務(wù)員國(guó)熙相信完美主義是在世界上生存的唯一出路，命運(yùn)般地遇到弗拉門戈舞而展開的故事。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.