劇情縱覽
已經(jīng)嫁入一個(gè)農(nóng)民家庭的愛(ài)(嘉門洋子-飾),有一天,她外出時(shí)正巧看到“早安少女組”新成員試鏡的單張。從年輕時(shí)已經(jīng)一直渴望當(dāng)“早安少女組”的她,瞞著丈夫報(bào)了舞蹈課。幸運(yùn)地她被選上第二次試鏡,但是她的丈夫發(fā)現(xiàn)她與舞蹈老師有染。愛(ài)決意放下她農(nóng)家兒媳的生活離家出走后,與舞蹈老師私奔。
已經(jīng)嫁入一個(gè)農(nóng)民家庭的愛(ài)(嘉門洋子-飾),有一天,她外出時(shí)正巧看到“早安少女組”新成員試鏡的單張。從年輕時(shí)已經(jīng)一直渴望當(dāng)“早安少女組”的她,瞞著丈夫報(bào)了舞蹈課。幸運(yùn)地她被選上第二次試鏡,但是她的丈夫發(fā)現(xiàn)她與舞蹈老師有染。愛(ài)決意放下她農(nóng)家兒媳的生活離家出走后,與舞蹈老師私奔。
《蜘蛛男》是“江戶川亂步作品集”第七卷。故事開(kāi)頭,怪紳士稻桓租下了一間事務(wù)所,把它重新裝修成美術(shù)藝品店。第二天開(kāi)業(yè)時(shí)聘用了一名十八歲的美少女,但當(dāng)天晚上就奸殺了這名少女。接下來(lái)的幾天內(nèi)報(bào)紙社會(huì)版頭條陸續(xù)刊登了“碎尸案”、“美人魚案”。民間犯罪學(xué)者畔柳博士接手此案,在與藍(lán)胡子稻桓正面交鋒的過(guò)程中屢屢敗下陣來(lái),直到環(huán)游歸來(lái)的明智加入偵破陣營(yíng)……,故事從讀者預(yù)測(cè)不到的角度展開(kāi),是一部名探與殺人狂的斗智故事。
一對(duì)愛(ài)侶Liz和Malcolm去到一座偏僻的小屋度假,Malcolm卻因意外先回城了,留下Liz獨(dú)自一人,她很快發(fā)現(xiàn)這座小屋有著邪惡可怕的過(guò)去,如今纏上了自己。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
故事發(fā)生在一間專門面向歌劇退休演員開(kāi)放的養(yǎng)老院里,維爾福(比利·康諾利 Billy Connolly 飾)、雷吉(湯姆·康特奈 Tom Courtenay 飾)和茜茜(寶林·科林斯 Pauline Collins 飾)是那里的明星居民。每一年,這三個(gè)出色的演唱者都會(huì)通過(guò)他們的三重唱向社會(huì)募集資金,用以維持養(yǎng)老院的運(yùn)作。雖然養(yǎng)老院的規(guī)模不大,但每一個(gè)老人都能在那里找到快樂(lè)和安寧。 簡(jiǎn)(瑪吉·史密斯 Maggie Smith 飾)的出現(xiàn)打破了眾人寧?kù)o的生活,這個(gè)高傲又好斗的女人是歌劇界名聲大噪的歌唱家,同時(shí),她還是雷吉的前妻。受生活所迫,簡(jiǎn)不得已住進(jìn)了這間養(yǎng)老院,前夫雷吉的存在更是讓她心中憤憤不平。由于簡(jiǎn)的加入,三重唱變成了四重唱,但排練的效果并沒(méi)有因?yàn)橐粋€(gè)得力唱匠的加入而有所提高,麻煩和爭(zhēng)執(zhí)接踵而至。