年輕的嫂子

嚴(yán)懲

　　闖蕩好萊塢失敗的演員里根·皮爾斯為工作在去往路易斯安那州的一個小鎮(zhèn)什里夫波特路上，被歹徒綁架至一個沼澤地附近的小屋，歹徒折磨并威脅他用推特賬戶發(fā)布并上傳妥協(xié)博文，他改如何逃脫困境？

宇殺員

　　In the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.

宇宙毀滅記

　　一顆神秘小行星接近地球，后墜入海中，不想其實際上是外星的自動侵略武器，專門吸食地球的資源和電量，更可怕的是如果不能摧毀這個武器，還會有更多的外星武器來到地球。。

四面三角

后來的我們韓版

在開往家鄉(xiāng)的客運上，恩浩（具教煥 飾）遇見了休學(xué)后下定決心要前往某處的正媛（文佳煐 飾），產(chǎn)生了一段不可思議的緣分。為彼此的夢想加油的兩人，不知不覺地深入對方的生活，成為了一對戀人。一同歡笑、爭吵、和解的兩人，雖然擁有了世上最熾熱的愛，但面對殘酷的現(xiàn)實，兩人最后仍選擇分道揚鑣。就這樣過了10年，再次遇見彼此的瞬間，恩浩問了正媛一直很想問的問題“如果我們……”                                                                      　　影片改編自2018年劉若英執(zhí)導(dǎo)的《后來的我們》。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster