劇情縱覽
江南小鎮(zhèn)上長(zhǎng)大的女孩秋拾(呂星辰 飾)在遭遇家庭和事業(yè)的雙重變故后,決定頂住重重壓力,去完成一件彌補(bǔ)內(nèi)心遺憾的事。隨著深漂未婚夫青云(梁永棋 飾)的歸來(lái),兩人之間的關(guān)系變得有些微妙。同時(shí),一直默默陪在秋拾身邊的師哥尹塵(李玉剛 飾)以出乎意料的方式支持著秋拾。青云和尹塵對(duì)于秋拾的態(tài)度看似合理,但背后暗藏的卻是不為人知的情感。
江南小鎮(zhèn)上長(zhǎng)大的女孩秋拾(呂星辰 飾)在遭遇家庭和事業(yè)的雙重變故后,決定頂住重重壓力,去完成一件彌補(bǔ)內(nèi)心遺憾的事。隨著深漂未婚夫青云(梁永棋 飾)的歸來(lái),兩人之間的關(guān)系變得有些微妙。同時(shí),一直默默陪在秋拾身邊的師哥尹塵(李玉剛 飾)以出乎意料的方式支持著秋拾。青云和尹塵對(duì)于秋拾的態(tài)度看似合理,但背后暗藏的卻是不為人知的情感。
沙漠里流傳著一句話(huà):天出血,人死絕。故事發(fā)生在舊時(shí)代的西北,這樣一片沙漠地帶,它講述了一個(gè)愛(ài)情悲劇故事。年青的問(wèn)九因鄉(xiāng)鄰間缺水爭(zhēng)執(zhí)而出逃在外,待回來(lái)時(shí),曾與之心心相印的秀秀姑娘已被族叔迎娶,成了他的嬸嬸。水繼續(xù)威脅著人們的生存,問(wèn)九的族叔為富不仁,竟以空手能否從滾開(kāi)的油鍋里撈起銅錢(qián)來(lái)決定人們?cè)诰G洲的去留,他狠毒地騙問(wèn)九替他撈起銅錢(qián)卻又暗地加害問(wèn)九。問(wèn)九奮起抗?fàn)帲乘懒俗迨澹还俑讲丁@为z未能囚住問(wèn)九渴求自由的心。他一次次尋求機(jī)會(huì)越獄。數(shù)十年后,當(dāng)問(wèn)九逃出虎口,卻又被沙漠里的土匪抓住逼他帶路,對(duì)秀秀的愛(ài)情支撐著問(wèn)九最后的生命,他再次出逃,掙扎著爬回自己的故鄉(xiāng)。但黃沙已無(wú)情地吞噬了這里的一切,唯有刻著綠洲村的石柱還未被淹沒(méi)。問(wèn)九手撫石柱瞑目在這荒原上。荒原上,彩霞滿(mǎn)天。天出血,人死絕。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
故事發(fā)生在二十世紀(jì)三十年代初期,莉蓮(簡(jiǎn)·方達(dá) Jane Fonda 飾)前往維也納尋找自己曾經(jīng)的好友茱莉亞(瓦妮莎·雷德格瑞夫 Vanessa Redgrave 飾),到達(dá)目的地之后,莉蓮才知道,茱莉亞因?yàn)楹头ㄎ魉怪С终甙l(fā)生了激烈沖突而受傷住進(jìn)了醫(yī)院,之后不知所蹤。在莉蓮回歸自己的生活之后,她意外的收到了茱莉亞的來(lái)信,在信中,茱莉亞請(qǐng)求莉蓮幫助自己投運(yùn)五萬(wàn)美元給反納粹組織,盡管這一舉動(dòng)在當(dāng)時(shí)意味著巨大的危險(xiǎn),但是莉蓮還是答應(yīng)了茱莉亞,最終,兩個(gè)多年未見(jiàn)的好友在柏林重逢。然而,沒(méi)過(guò)多久,莉蓮便受到了茱莉亞的死訊,在悲痛之中,莉蓮明白,自己還有未完成的任務(wù)。
故事背景發(fā)生在抗日戰(zhàn)爭(zhēng)時(shí)期,主角郭東是一名獸醫(yī),他的妻兒慘遭日本兵殺害,從此躲到了草原邊陲的一個(gè)小鎮(zhèn)上,過(guò)著惶惶不可終日的生活。郭東的自暴自棄使得他與當(dāng)?shù)厝水a(chǎn)生許多矛盾。就在此時(shí),一名蒙古族孕婦的生命危在旦夕,眾人無(wú)奈之下求助郭東,郭東在新生命的洗禮和蒙古族戰(zhàn)士的感染下,重新明白了"英雄"的意義,完成了自我救贖。