即刻觀影
劇情賞析
編輯推薦
東北警察故事3
謝苗,林曉杰,崔志佳,黃米依,伍允龍,馬千壹,張磊,馮瑤,唐鑒軍,田娃,吳莫愁李紅旗要辦婚禮了！本想婚禮一切從簡，但彪悍熱心的丈母娘（林曉杰 飾）堅持做主想大操大辦，李紅旗不得不飛往海角，落地后卻得知飛機(jī)鄰座女孩昕昕（馬千壹 飾）被人販子拐走。面對兇殘狡猾的犯罪團(tuán)伙，李紅旗與當(dāng)?shù)剞k案風(fēng)格迥異的警察孫彪（崔志佳 飾）強(qiáng)強(qiáng)聯(lián)手，在婚期逼近的倒計時中和人販子頭目秦葉蓉（黃米依 飾）及賣魚佬（伍允龍 飾）展開殊死搏斗。婚禮籌備笑料百出，辦案追兇驚心動魄——紅旗不倒，正義不休假！看李紅旗如何罪犯、幸福兩手抓。
英宮艷史
查爾斯·勞頓,羅伯特·多納特,富蘭克林·迪亞爾,邁爾斯·曼德,勞倫斯·漢雷故事開始于十六世紀(jì)初，因為皇后凱瑟琳（賓妮·巴尼斯 Binnie Barnes 飾）無法生育，英國國王亨利八世（查爾斯·勞頓 Charles Laughton 飾）同她離婚，另娶了名為恩尼（梅爾·奧勃朗 Merle Oberon 飾）的女子為皇后，哪知道野心勃勃的恩尼整天盤算著推翻丈夫的統(tǒng)治自立為王，當(dāng)她的陰謀敗露之后，亨利八世親手將她送上了斷頭臺。恩尼死后，亨利八世娶了奇恩（溫迪·巴里 Wendy Barrie 飾）為妻，哪知道在生產(chǎn)時，奇恩因為難產(chǎn)而死，只留下了一個可憐的嬰兒威爾斯（邁爾斯·曼德 Miles Mander 飾）。之后，大臣們想要國王迎娶德國公主，可這一次，國王駁回了大臣們的請求。
左撇子女孩
蔡淑臻,馬士媛,葉子綺,黃鐙輝,陳慕義,張允曦,趙心妍,夏騰宏,林嫣一位單親母親帶著兩個女兒在鄉(xiāng)下生活數(shù)年后重返臺北，在熱鬧的夜市擺起小吃攤。面對新環(huán)境，三人以各自的方式努力適應(yīng)，既要維持生計又要守護(hù)家庭完整。當(dāng)傳統(tǒng)觀念根深蒂固的外祖父禁止左撇子小孫女使用"惡魔之手"后，這個三代同堂家庭深埋的秘密開始逐漸浮出水面。
最后幸存者
德魯·凡·阿克爾,艾麗西亞·希爾維斯通,史蒂芬·莫耶,馬克·法姆吉列蒂,本杰明·亞瑟,Akaash Yadav,Simon LeesThe pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
第七天堂
珍妮·蓋諾,查爾斯·法萊爾,Albert Gran,大衛(wèi)·巴特勒,瑪麗·莫斯奎尼,格拉迪斯·布羅克威爾,埃米爾·肖塔爾,Ben Bard,喬治·E·斯通,亨利·阿爾梅塔,Lewis Borzage Sr.,Dolly Borzage,瑪麗·鮑沙其,Sue Borzage,Italia Frandi,Venezia Frandi,Frankie Genardi,Lois Hardwick,Jessie Haslett,布蘭登·赫斯特齊卡·羅巴斯是巴黎街道上的一名下水道工人，他希望有一天能夠成為街道清潔工。雖然他很有自信，但他缺乏宗教信仰，覺得上帝總是讓他感到失望。離他上班不遠(yuǎn)的地方，住著一個長得不好看的名叫迪安妮的女孩，她經(jīng)常被她兇惡的姐姐娜娜無緣無故地打罵。每當(dāng)娜娜覺得被生活欺騙了的時候，她就會拿起鞭子抽打迪安妮。有一次，迪安妮摔倒在水溝里，被娜娜扼住咽喉。齊卡沖出下水道，幫助迪安妮趕走了娜娜。后來，不幸的迪安妮決定用齊卡的刀子奪回自己的生活，但被齊卡阻止了。當(dāng)警察譴責(zé)迪安妮的時候，齊卡再一次沖出來告訴警察，這個女孩即將成為他的妻子。警察不太相信他所說的，因為齊卡非常同情這個女孩，邀請她到他的公寓度過一夜。他的公寓在一座高樓的第七層，迪安妮稱之為“第七天堂”。與此同時，其卡得到了想要的工作，想做更大更好的事情，而迪安妮也因為齊卡的自信心而獲得了對生活的信心，不再恐懼生活。當(dāng)她再一次遇到她的惡魔姐姐時，她姐姐想要帶走她，她奪下了娜娜的鞭子并且趕走了她。隨后，戰(zhàn)爭爆發(fā)，齊卡和迪安妮分開了很長一段時間，只能通過內(nèi)心的思念保持聯(lián)系。一天晚上，齊卡被炸彈炸傷了，立即送了一個消息給迪安妮，那時她已經(jīng)成為一名軍需品制造工。幕后制作這是一個基于奧斯汀·斯特朗戲劇的感傷愛情故事，在1927年發(fā)行之后，引起極大轟動，使得主演之一讓娜·蓋諾爾迅速成為了紅星，獲得了奧斯卡最佳女演員獎，成為獲得這種獎項的第一人。這部電影的成功甚至使得二十世紀(jì)福克斯公司在1937年將其配上了對白，修改成有聲電影版本。在部電影中，人物的情感生活是通過光影的絕妙使用表現(xiàn)出來的。對于空間的表現(xiàn)主義但經(jīng)過充分美國化的使用，打破了各種經(jīng)驗塑造的傳統(tǒng)視點，提供了一種嶄新的觀看方式，給人一種詩一般的想象。即便是后來版本的電影配音，也表明了導(dǎo)演波扎格的天賦才華。波扎格的這部電影既是一部美妙的情節(jié)劇，也可以被看作是一部十分優(yōu)秀的另類的戰(zhàn)爭電影。