綜合癥

? 7.8 播放：11萬 2026-04-28

意識到自己的生命只剩下幾個(gè)月了，維克多決定把他的前女友安娜從毒癮中拯救出來。為了給她更好的生活，維克多在一天晚上跟蹤并綁架了安娜當(dāng)?shù)弥挥幸粋€(gè)很短的時(shí)間留給生活，維克多V （哈維爾 阿爾瓦拉飾）決定將他在一年前的女友安娜Ana（阿德里安娜達(dá)維多娃飾）從毒癮中拯救出來。為了給她更好的生活，維克多在一天晚上跟蹤并綁架了安娜。雖然他的動(dòng)機(jī)是好的，但是維克多發(fā)現(xiàn)其實(shí)他連自己的問題也無法解決。一個(gè)是癮君子，一個(gè)是迷途羔羊，可以說這二人之間任何事都有可能發(fā)生。那么究竟在這個(gè)愛生活卻難以生活下去的男人，和這個(gè)可以生活卻不愛生活的女人之間發(fā)生了什么事呢 　　

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劇情提要

意識到自己的生命只剩下幾個(gè)月了，維克多決定把他的前女友安娜從毒癮中拯救出來。為了給她更好的生活，維克多在一天晚上跟蹤并綁架了安娜當(dāng)?shù)弥挥幸粋€(gè)很短的時(shí)間留給生活，維克多V （哈維爾 阿爾瓦拉飾）決定將他在一年前的女友安娜Ana（阿德里安娜達(dá)維多娃飾）從毒癮中拯救出來。為了給她更好的生活，維克多在一天晚上跟蹤并綁架了安娜。雖然他的動(dòng)機(jī)是好的，但是維克多發(fā)現(xiàn)其實(shí)他連自己的問題也無法解決。一個(gè)是癮君子，一個(gè)是迷途羔羊，可以說這二人之間任何事都有可能發(fā)生。那么究竟在這個(gè)愛生活卻難以生活下去的男人，和這個(gè)可以生活卻不愛生活的女人之間發(fā)生了什么事呢 　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

貪種滋生

　　The bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.