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皮婭·吉爾塔,克里斯托弗·約納爾,塔雷克·扎亞特,Kristoffer Sagmo Aalberg,Ismael Al-Khazaali,Ibrahim Amaev,Anna Bakke,Negusse Berhe,Selma Brattab?,Osama Dabagh,Benjamin Ebbesen,Ragnhild Gudbrandsen,Johannes Hageseter,凱瑟琳·索博格·約翰森,Téa Gr?nner Joner,Celine Knag,Nj?l Lambrechts,Kenn愛上平行時空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達·伊萬諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫耶夫星際叛將:歐西里斯之子
凱南·魯茲,丹尼爾·麥克弗森,伊莎貝爾·盧卡斯,盧克·福特,瑞切爾·格里菲斯,特穆拉·莫里森,布倫·福斯特,杜文·史蒂文森,蒂根·克羅夫特,黃芝琪,費拉斯·迪拉尼,哈里·帕夫利迪斯,保羅·溫徹斯特,佐伊·文圖拉,布倫丹·克萊金LAST MAN-全盲搜查官- FAKE/TRUTH
福山雅治,大泉洋,永瀨廉,今田美櫻,松尾諭,今井朋彥,奧智哉,木村多江,吉田羊,松本若菜,吉田鋼太郎,向井康二白石州往事
內詳家弒服務
西德尼·斯維尼,阿曼達·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德同類推薦
正義聯盟:無限地球危機(上)
馬特·波莫,詹森·阿克斯,達倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當斯,艾克·阿瑪迪,吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達達里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛·卡耶,阿什莉·拉特羅普,馬特·蘭特爾The Anti-Monitor (the Monitor's evil counterpart) is released in the DC Multiverse and begins to destroy the different Earths huo87.com that compose it. The Monitor attempts to recruit heroes from across the Multiverse, but is murdered.
曼谷保鏢2
Petchtai Wongkamlao,Tony Jaa⊙《曼谷保鏢2》的故事: 影片故事講述拔泰王錦魯飾演的東南亞某小國特工翁坤,為了調查一伙恐怖份子,秘密潛入泰國曼谷執行任務,并化裝成為流行歌星,混入唱片公司追查。他老婆并不知道他的真實身份,因為翁坤是個十足的“妻管嚴”,但要命的是,他在泰國無可救藥愛上了一個漂亮美眉……與此同時,恐怖份子也要發動大規模襲擊了,翁坤如何能制止這場破壞? ⊙《曼谷保鏢2》的看點: 繼2005年大賣座的第一集之后,《曼谷保鏢》于今年拍出了續集,有“泰國周星馳”之稱泰國喜劇明星拔泰王錦魯繼續自編自導自演,繼續請來《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師,并且自己惡搞了《拳霸》《冬蔭功》等片,拔泰王錦魯(《拳霸》另一主演)演出非常出彩過癮。Tony Jaa則之是客串身份,在片中有一場打斗,另外自己還拿《冬蔭功》開涮,十分的“搞”。
養鬼吃人7
卡瑞·伍爾 , 保羅·瑞斯 , Simon Kunz《倫敦地下城市》一個女記者被派遣到羅馬尼亞首都布加勒斯特調查一個地下自殺邪教“死魂靈”。她很快就陷入了他們的黑暗世界,無法找到回頭路,從而被迫加入他們,迎接一項極為恐怖的事情... ...
醉刀客
李炳淵,孫藝燃,趙靖舒玉,藍曼予,來喜,龍武,閆青龍,喻慶輝,李長虹,劉杰,王藝圍,郭宜林,姚紅剛,彭秋生,馮玉璽,楊爭,黃本冰,席瑞東,彭羿言,李瀚辰影片講述威震江湖的“冷血刀客”寒月刃(李炳淵 飾),因一飯之恩重返枹罕鎮,而此時的枹罕鎮正遭受強權惡霸的欺凌壓迫,寒月刃決定出手相助,卻驚覺人性中的軟弱與恐懼遠比暴力更加可怕。 而他與曼陀羅(孫藝燃 飾)的糾纏如毒刃絞心,在心動與背叛間撕裂掙扎……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster