即刻觀影
劇情賞析
編輯推薦
毀滅者2
Terry Kiser,Cody Renee Cameron,Eva Hamilton1984年經典恐怖片的續集。
萇山虎
廉晶雅,樸赫權,申隣雅,李俊赫,方柔雪,許真,李律,李在恩熙璉（廉晶雅飾）的兒子俊敘在首爾走失了，傷心欲絕的她帶著失憶的婆婆回到老家萇山休養，希望婆婆能早點想起俊敘是怎么失蹤的。有一天，熙璉在萇山附近的洞穴遇見一個衣衫襤褸的神祕女孩，或許是同情憐憫，或許是空虛寂寞，熙璉將女孩帶回家，打算在找到無名女孩的父母之前照顧她。兩人日漸親近，漸漸地女孩變得好像熙璉的女兒一樣，她喊起熙璉「媽媽」，還叫自己「俊希」，容貌與音聲越來越像消失無蹤的「俊敘」。神秘女孩到來之后，陸陸續續發生難以理解的怪事，熙璉的婆婆先是幻聽，然后還被傳說中棲息在萇山洞穴的妖物擄走……熙璉能夠找回兒子俊敘嗎？破碎的一家能在妖怪陰影之下再度團圓嗎？
詭秘陰宅
茱莉亞·克斯奇茲,Marii Weichsler,邁克爾·品克,Leon Orlandianyi,Inge Maux,Finn Reiter,Benno Rosskopf,Lars Bitterlich,Lisa Stern,Christina Cervenka一對年幼的兄弟跟家人一起從大城市搬到偏遠小鎮，卻發現新家并不單純。他們能否與新朋友們一起解開家中的險惡謎團？
要地球倒轉
保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹查理的前妻失蹤了，于是他去了她長大的地方，一個位于西部的鄉村城鎮尋找她。 但是，令人驚訝的是，沒有人知道她或她親戚的所在。 然后他又遇到外星人，但是當他聯系聯邦調查局時，并沒有人相信他。 他只好將故事登報，并隨即受到了外星人的追殺。
夜間巡邏
賈斯汀·朗,德蒙特·莫羅尼,杰梅因·福勒,CM朋克,尼基·米切奧,RJ·賽勒,飛蓮,邁克·弗格森,弗雷迪 吉布斯,Zuri Reed,埃文·沙夫蘭,YG,Kim Yarbrough,Colin Young,喬恩·奧斯華爾德,尼克·吉利,Dennis BoydAn L.A. cop discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.