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劇情簡介
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同類好片
鐵弓傳奇
孟可,王昱凱,潘洋,張莉佳,李運凱象山發(fā)光事件
小沈陽,王唯,張登平,倪景陽,田理,董芷依,胡涂,李歐,孟和烏力吉失認癥
愛德華多·諾列加,巴巴拉·戈納加,費利克斯·戈麥斯捍衛(wèi)機密
基努·里維斯,迪娜·邁耶,北野武非法入侵
尼古拉斯·凱奇,妮可·基德曼,本·門德爾森,麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達什·米霍克,艾米麗·梅德,尼可·托托雷拉幽靈鬼屋
勒凱斯·斯坦菲爾德,羅莎里奧·道森,歐文·威爾遜,蒂凡尼·哈迪斯,丹尼·德維托,杰米·李·柯蒂斯,蔡斯·W·狄龍,杰瑞德·萊托,J·R·阿杜西,克里克·威爾遜,本·布萊頓,林賽·蘭姆,查麗蒂·喬丹,費多爾·斯蒂爾,特倫斯·羅斯摩爾,邁克·貝尼特斯,埃里卡·科爾曼,克里斯托弗·溫徹斯特,喬·科伊,格拉倫·布萊恩特·班克斯,瑪麗露·亨納爾,史蒂夫·齊西斯,安德魯·莫爾加多,尼科·戈麥斯,庫爾特·岳,哈桑·明哈杰,丹·列維,埃里克·羅溫,塞巴斯蒂安·蘇戴斯,特蕾西·古德,卡姆蘭·謝赫,薇諾娜·瑞德,羅伯特·廷斯人氣佳作
導演精選
致命玩笑3
燥熱枯燥的長途旅行,怪物卡車司機“銹釘”(肯·科齊格 Ken Kirzinger 飾)的血腥旅程仍未結(jié)束,17號公路上布滿殘肢斷體,娛樂著他的邪惡趣味。某個平凡的路邊小餐館,奧斯汀(Gianpaolo Venuta 飾)、米克(Ben Hollingsworth 飾)、愛麗莎(Leela Savasta 飾)、鮑比(Jake Manley 飾)和茱爾(Kirsten Prout 飾)等五個準備參加公路汽車拉力賽的青年男女正在討論行車路線,他們向鄰桌打聽17號公路存在與否,卻得知了“屠殺小巷”的傳言和警告。 無所畏懼的年輕人當然不信這個邪,他們快意上路,并遭遇“銹釘”的卡車。年輕人仗著汽車性能的優(yōu)勢,恣意戲耍“銹釘”,但卻惹到了一個絕不能隨便招惹的惡魔……
E.S.P.Y
小松左京の同名SF小説を原作に、超能力を持つ諜報員?エスパイたちの活躍を描く。當時の技術で、果敢に超能力を表現(xiàn)しようとする試みが光る。田村、マリア、三木の3人は、國連の秘密組織’“エスパイ”で働いていた。エスパイとは、超能力を悪用する逆エスパイと戦うための超能力者を養(yǎng)成する機関である。やがて、東西冷戦の要?バルトニアの首相暗殺計畫をめぐって3人の活躍が始まる……。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster