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阿特拉斯聳聳肩
泰勒·席林,保羅·約翰遜,格蘭特·鮑爾,賈蘇·加西亞,馬修·馬斯登,Rebecca Wisocky皮附
Tristan Beint,Amelia Bennett,Simon Rivers要地球倒轉(zhuǎn)
保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹戴夫造了個(gè)迷宮
尼克·圖恩,梅拉·羅希特·庫(kù)姆巴尼,亞當(dāng)·布斯奇,詹姆斯·烏爾班尼亞克,弗蘭克·凱提,斯科特·納維,斯蒂芬妮·阿琳,克斯汀·范奈絲,斯科特·克林斯基,蒂莫西·諾德溫德,約翰·赫寧甘,瑞克·歐弗頓,卡米拉·艾爾內(nèi)斯,德魯·尼加,艾蒂安·埃克特,布里特妮·多伊奇,杰西卡·格拉夫斯寶塔鎮(zhèn)河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升儀式殺手
科爾·豪瑟,摩根·弗里曼,Murielle Hilaire,Vernon Davis同類推薦
無(wú)歸客
宋洋,陳立農(nóng),姜珮瑤宋隱(宋洋 飾)奉命調(diào)查“極樂(lè)膏”制販案件。辦案期間,他獲得了游俠夜剎、大夫燕云升(陳立農(nóng) 飾)、藥師素娥(姜佩瑤 飾)等人的幫助。他們通過(guò)頑強(qiáng)戰(zhàn)斗與勇敢犧牲,撕碎了犯罪頭目白啟年的保護(hù)傘,還一方安定。宋隱繼續(xù)踏上鏟奸除惡的漫漫長(zhǎng)路。
爵士之王
保羅·惠特曼,約翰·博爾斯,勞拉·拉普蘭特,珍妮特·洛夫,格倫·特萊昂,William Kent,斯利姆·薩默維爾,The Rhythm Boys,凱瑟琳·克勞福德,卡拉·萊姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃爾特·布倫南,Churchill Ross,約翰·阿利奇,內(nèi)爾·歐黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克勞斯貝,杰克·富爾頓這部在歌舞片發(fā)展早期拍攝的影片,堪稱是當(dāng)時(shí)最為奢華的好萊塢巨制。影片由后來(lái)被譽(yù)為“爵士之王”的保羅·懷特曼領(lǐng)銜主演,還請(qǐng)到了一眾歌舞名手。片中的內(nèi)容取自百老匯的經(jīng)典演出,通過(guò)名家和管弦樂(lè)隊(duì)的出色演繹,為觀眾感受爵士年代風(fēng)情提供了一次珍貴的機(jī)會(huì)。影片在當(dāng)年獲得了奧斯卡最佳藝術(shù)指導(dǎo)獎(jiǎng)。2013年,它還被美國(guó)國(guó)會(huì)圖書(shū)館列入國(guó)家電影目錄。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
月球奇幻旅
麥肯娜·格瑞絲,布雷迪·諾恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奧遜·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue肖恩·利維將再次合作老搭檔二十世紀(jì)福斯,執(zhí)導(dǎo)新片[隕石坑](Crater,暫譯),利維也將約翰·J·格里芬執(zhí)筆的原創(chuàng)劇本進(jìn)行改編。故事被描述為科幻版的[ 伴我同行 ],講述在月球殖民地長(zhǎng)大的男孩,和三個(gè)小伙伴共同前往一處神秘隕石坑探秘,不料卻發(fā)生意外。影片劇本曾經(jīng)入選2015年“好萊塢劇本黑名單”。
英雄百夜
艾瑪·科林,麥卡·夢(mèng)露,尼古拉斯·加利齊納,埃米爾·艾爾-馬斯里,查莉XCX,理查德·E·格蘭特,菲麗希緹·瓊斯,瓦拉達(dá)·塞圖,克里斯托弗·法里班克,馬凱拉·卡維納赫,湯姆·斯托頓,克萊爾·珀金斯,喬什·柯德雷,薩菲亞·奧克利-格林,畢揚(yáng)·丹斯曼,杰夫·米爾扎,Olivia D'Lima,喬丹·庫(kù)爾森,邁爾斯·基奧治,科里·彼得森講述一個(gè)女性主義童話故事,為《一千零一夜》的新編,聚焦兩個(gè)相愛(ài)的女人Cherry(麥卡·夢(mèng)露 飾)和Hero(艾瑪·科林 飾):Cherry與邪惡的男子Jerome(埃米爾·艾爾-馬斯里 飾)結(jié)了婚,Jerome與他的朋友、好色的惡人Manfred(尼古拉斯·加利齊納 飾)打賭,看Manfred能否在100晚之內(nèi)勾引Cherry,如果Manfred成功,Jerome就把城堡和Cherry送給他。對(duì)此毫無(wú)興趣的Cherry與她的女仆兼情人Hero策劃了一計(jì):在那100個(gè)夜晚,Hero將給Manfred講述一些吸引人的故事,讓Manfred從勾引計(jì)劃中分心。