365天：今時之欲
勞拉和馬西莫歸來，而且比以往任何時候都要熱辣。這對情侶久別重逢，但兩人的新開始卻因馬西莫的家庭關系和一名神秘男子而變得十分復雜。為進入勞拉的生活以獲取她的芳心和信任，這個神秘男子將不惜一切代價。
劇情簡介
勞拉和馬西莫歸來，而且比以往任何時候都要熱辣。這對情侶久別重逢，但兩人的新開始卻因馬西莫的家庭關系和一名神秘男子而變得十分復雜。為進入勞拉的生活以獲取她的芳心和信任，這個神秘男子將不惜一切代價。
為你推薦
無法磨滅
雷·利奧塔,Linda Fiorentino,彼德·考約特西雅圖發生一宗商店殺人案，曾被告謀殺親妻的法醫大衛前往勘驗。 無意中卻在兇案現場發現與妻子遭謀害時的相同線索，于是他決定展開調查。 然而調查工作始終毫無展獲，直到他在募款晚會中結識一位美麗的神經學教授瑪莎。 瑪莎正研究某種特殊配方藥劑，可將老鼠的記憶力進行移植。 這使得大衛突發其想，偷走藥劑并將死者的記憶力注入自己體內進行人體試驗，好一睹兇案經過，找出兇嫌破案。 就在大衛一心想幫助警方破案的同時，兇嫌卻在與警方對峙時中槍身亡。 失去唯一線索的大衛，只能借用已死兇嫌的記憶找出下一步線索。 原以為到此即將結束的兇案及往日冤屈，卻在大衛親身體驗已死兇嫌的記憶過程中全面翻轉。 他發現了攸關自身的天大謊言…
看不見的他們
和佳蓉,毛凡,陳曉霞,孫盈藝,蘇俊宇一場車禍后，林月家里怪事連連，全身冰冷的姐姐，鏡子里看不見家人的身影，黑夜里爸爸窺探的雙眼，每天凌晨閣樓傳來的彈珠聲，林月循聲而上，當閣樓的門被打開，卻發現里面緊鎖的卻是自己的遺像……
復仇公主斯嘉麗
蘆田愛菜,岡田將生,役所廣司,市村正親,吉田鋼太郎,齊藤由貴,松重豐,山路和弘,柄本時生,青木崇高,染谷將太,白山乃愛,白石加代子在戰火紛飛的中世紀王國中，手握利劍的斯嘉麗公主為替父報仇毅然踏上征途，卻以失敗收場。當她再次醒來時，發現自己身處神秘的“死者之國”。在那里，她邂逅了一位來自現代的理想主義青年；他的善意與慈悲，動搖了她心中根深蒂固的仇恨。當殺父仇敵再度現身，斯嘉麗必須做出抉擇：是繼續執念于復仇，還是尋找到仇恨之外的人生意義。
密林深處
伊希爾·勒·貝斯柯,納威爾·佩雷茲·畢斯卡亞特,馬修·西莫內,Jér?me Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,讓-克勞德·古盧姆伯格,Jean-Marc Stehlé,Yvette Peyremorte故事發生在1865年的法國南部，流浪漢狄默提（納威爾·佩雷茲·畢斯卡亞特 Nahuel Pérez Biscayart 飾）來到了這里，為了避人耳目，他假裝自己是聾啞人，在這里的一座小村莊中住了下來。在村子里，狄默提邂逅了名為約瑟芬（伊希爾·勒·貝斯柯 Isild Le Besco 飾）的女子，美麗善良的約瑟芬一下子就吸引了狄默提的注意。 約瑟芬的父親休斯（讓-克勞德·古盧姆伯格 Jean-Claude Bolle-Reddat 飾）是一個熱情好客的男人，他慷慨的邀請狄默提來家里做客，可休斯的善意卻并沒有得到狄默提的回報。狄默提用一種古老而又邪惡的方法催眠的約瑟芬，將她帶進深山老林之中肆意凌辱。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
野蠻的囧妃：時空黑洞
袁曉旭,張嘉佑,胡浩帆,黃一山一個關于“時間膠囊”的機密研究項目，因能量塊失竊陷入危機，引發了一系列時空穿越事故。現代人蘇寶銀意外接觸到形似手機的能量塊，流離于古代異時空和二十一世紀現代兩個世界之間，美顏國王爺霍靖及兩個隨從為尋找她，也被意外卷入時空黑洞闖入現代。三個古代呼風喚雨的王爺將軍，走入了完全陌生的現代世界，陷入囧境啼笑皆非。回到現代的蘇寶銀在思念王爺的同時，遇上了英俊睿智的孫警官，這背后又隱藏著什么樣的驚天陰謀呢？當正義戰勝邪惡，當一切終結，蘇寶銀又回到了原點，再遇她的愛人，卻已形如陌路......
欣德·拉賈布之聲
克拉拉·庫里 , 薩賈·基拉尼 , 莫塔茲·馬希斯 , 阿莫爾·何勒赫爾突尼斯導演考塞爾·本·哈尼亞將把巴勒斯坦六歲女童欣德·拉賈布的悲劇搬上銀幕。2024年1月29日，欣德乘坐的車輛在加沙遭以色列軍隊襲擊，她被困車中通過電話絕望求救，12天后被發現與家人一同遇難。影片將追溯這通生死未卜的求救通話背后，一個幼小生命在戰爭廢墟中的最后時刻。