安塔芮絲 Antares

★ 9.2 播放：38萬(wàn) 更新：2026-04-28

本片代表奧地利角逐奧斯卡最佳外語(yǔ)片獎(jiǎng)，將三對(duì)情人幾天里處在欲望交叉點(diǎn)的故事交織在一起，.一個(gè)已婚的護(hù)士有一個(gè)幾乎不說(shuō)話的情人.這個(gè)情人只對(duì)和她做愛(ài)和給她照裸體照感興趣.另一個(gè)是一個(gè)年輕的女孩,她騙她的男朋友說(shuō)她懷孕了.她的男朋友很高興,但并沒(méi)有因此停止和第 三個(gè)婦女上床.這第三個(gè)婦女個(gè)離婚了但卻難以擺脫她的前夫.

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劇情簡(jiǎn)介

本片代表奧地利角逐奧斯卡最佳外語(yǔ)片獎(jiǎng)，將三對(duì)情人幾天里處在欲望交叉點(diǎn)的故事交織在一起，.一個(gè)已婚的護(hù)士有一個(gè)幾乎不說(shuō)話的情人.這個(gè)情人只對(duì)和她做愛(ài)和給她照裸體照感興趣.另一個(gè)是一個(gè)年輕的女孩,她騙她的男朋友說(shuō)她懷孕了.她的男朋友很高興,但并沒(méi)有因此停止和第 三個(gè)婦女上床.這第三個(gè)婦女個(gè)離婚了但卻難以擺脫她的前夫.

導(dǎo)演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

茱莉亞

 故事發(fā)生在二十世紀(jì)三十年代初期，莉蓮（簡(jiǎn)·方達(dá) Jane Fonda 飾）前往維也納尋找自己曾經(jīng)的好友茱莉亞（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 飾），到達(dá)目的地之后，莉蓮才知道，茱莉亞因?yàn)楹头ㄎ魉怪С终甙l(fā)生了激烈沖突而受傷住進(jìn)了醫(yī)院，之后不知所蹤。在莉蓮回歸自己的生活之后，她意外的收到了茱莉亞的來(lái)信，在信中，茱莉亞請(qǐng)求莉蓮幫助自己投運(yùn)五萬(wàn)美元給反納粹組織，盡管這一舉動(dòng)在當(dāng)時(shí)意味著巨大的危險(xiǎn)，但是莉蓮還是答應(yīng)了茱莉亞，最終，兩個(gè)多年未見(jiàn)的好友在柏林重逢。然而，沒(méi)過(guò)多久，莉蓮便受到了茱莉亞的死訊，在悲痛之中，莉蓮明白，自己還有未完成的任務(wù)。

異形：奪命艦

　　影片時(shí)間線設(shè)定在1979年第一部《異形》與1986年的續(xù)集《異形2》之間，圍繞一群年輕而勇敢的太空殖民者展開(kāi)。講述他們?yōu)樘与x外星采礦殖民地的沉悶生活，在冒險(xiǎn)探索一座廢棄的太空站時(shí)，意外遭遇了宇宙中最可怕的生命體——異形?！　—M窄幽暗、危機(jī)四伏的空間站中，大逃殺的序幕已經(jīng)被無(wú)情拉開(kāi)，人類再次成為異形生物捕獵的目標(biāo)。在無(wú)盡的黑暗與死亡威脅的籠罩之下，太空探險(xiǎn)隊(duì)員們能否在每一次心跳的瞬間，察覺(jué)到未知生物潛伏的絲絲寒意？在這場(chǎng)你死我活的追逐戰(zhàn)中，他們將直面怎樣的信任挑戰(zhàn)和道德掙扎？當(dāng)一個(gè)又一個(gè)同伴被殘忍吞噬，求救無(wú)門的他們究竟能否在這場(chǎng)太空殺戮中尋得一線生機(jī)？