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我們很危險
埃拉娜·詹姆斯,瑞瑪·特·維塔,Nathalie Morris獵殺游戲
格倫·鮑威爾,喬什·布洛林,邁克爾·塞拉,科爾曼·多明戈,凱蒂·M·奧布萊恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大衛·札亞斯,杰米·勞森,艾米莉亞·瓊斯,卡爾·格洛斯曼,丹尼爾·埃茲拉,李·查爾斯,桑德拉·迪金森,喬治·卡羅爾,索菲·西蒙特,奧妮克·阿德莉,喬伊·安沙,布蘭登·伯克重案·無罪
張天其,步籽穎 Ziying Bu,于榮光,杜玉明,梁焯滿,駱言,吳永康,朱梓玥,樓學賢,張嘉飛,張苡寧無垢的證人
唐澤壽明,當真亞美我的同桌是極品
宋晨,苑喬約定2024
片岡千之助,北香那,望海風斗,山口紗彌加,春海四方,藤田朋子,淺野和之,余貴美子,武田鐵矢,風吹淳,橋爪功同類推薦
?校正單元?
Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齊亞德·阿巴扎,貝拉·拉姆齊,喬納森·菲利普斯,艾莉森·馬丁·瓊斯 Alison Martin JonesA group of violent and misguided young offenders are experimented on using brutal AI technology at a sinister institute.
堵車
吳鎮宇,倪大紅,呂麗萍,孫海英,陳志朋,吳俊余,葛思然,巴哈古麗《堵車》是一部集愛情、動作、奇幻、懸疑和黑色幽默于一體的都市電影,由一起堵車事件道出了販毒者羅生門(吳鎮宇 飾)、發條(陳志朋 飾)、一休(吳俊余 飾)、橙子(巴哈古麗 飾)等一群“堵心”人之間的命運交織,講述了一個懸念迭起、凄美蒼涼的故事。《堵車》——由堵心而生。 三年前,“富二代”發條、先天心臟病患者一休和制毒販毒者羅生門三個人同時都愛上了少女橙子。 三年后,又為了同一個目標,所有人的命運再次交織在一起。 “∩”型摩天大樓就是羅生門的終點,是天堂的大門,也是宿命的象征。在荊軻的槍口下,羅生門用綠藻酒結束了自己的生命。手機視頻中,發條生命垂危,說:如果我死了,請把我的心臟移植給一休。完成了橙子的愿望,也表達他對橙子的愛。
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內敬子,佐藤緋美,白本彩奈改編自新海誠創作的同名動畫電影,講述了一段跨越時間與距離的青澀愛情與成長故事。
一個拳手
王一鳴,任珅,梁國榮拳擊手大卓因意外受傷告別了擂臺,在小區當了一個保安。在照顧患有癡呆癥父親的過程中,大卓漸漸理解了父親多年來對他的愛,父子間童年時的心結被解開。為彌補父親曾經的遺憾,大卓重拾信心,再一次站到了擂臺之上。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.