勾魂噩夢
業(黃秋生飾)是一名富商,他為人孝順,亦深愛妻子詠琴,無奈詠琴體弱多病,不能滿足洛業,洛業只好在夢中解決生理需要。在一次偶然的機會中,洛業遇見了術士十方,十方愿以十萬元賣一個綺夢給他,洛業在嘗到甜頭之后,決定買下綺夢。此后洛業每晚沉迷在綺夢中,為博夢中美女歡心,他戲言愿以心中的至愛交換,不料綺夢突然變成惡夢!洛業要求十方收回此夢,十方乘機開出天價,洛業為了愛妻的安全,忍痛答應,但夢醒后他卻發現自己家財盡失,妻子被自己砍死,痛不欲生之下,惟有自殺一途。 洛業之弟洛文(尹天照飾)驚聞自己母、兄、嫂相繼死亡的消息,火速回港追查他們的死因,最后查出十方的陰謀,并得到十方妻子(張文慈飾)的幫助,將惡夢反種在十方身上,以其人之道還治其人之身,終于為親人報仇雪恨
即刻觀影
劇情賞析
編輯推薦
政壇新星
艾瑪·麥基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德維利,杰克·勞登,庫梅爾·南賈尼,艾伯特·布魯克斯,麗貝卡·豪爾,朱莉·卡夫娜,貝琦·安·貝克,斯派克·費恩,茜多·塞絲,Amelie McKendry,阿德里安·M·蒙波因特,喬伊·布魯克斯,埃里卡·麥克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello34歲的年輕女子Ella McCay(艾瑪·麥基 Emma Mackey 飾)當上了州長,需要努力平衡政壇職責和家庭生活。
ChaO,我代表人類跟人魚結婚了
鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕人間と人魚が共存する未來社會を舞臺とする本作。船舶を製造する會社で働くサラリーマンのステファンは、ある日突然、人魚王國の姫?チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。
我是臥底2026
鄒兆龍,于榮光,李彥奎,王韜,文東俊,張沙沙,王鉑清影片講述了反扒民警霍濤接受組織任務,經過嚴格訓練和對犯罪集團深入的背景調查后,偽裝混跡扒手群中,建立可信身份后成為打入扒手集團內部,與貝爺斗智斗勇,與貝爺偽裝的小飛互相試探,最終在和局長司徒強的緊密配合下,幾經波折,逐步瓦解盜竊團伙,道盡各色警匪人物的故事。
嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit自古以來,民間就流傳著關於黑暗精靈澤斯蒂爾納克的傳說。這些神話生物擁有修長的利爪和非人的力量,以人類血液為食。如今,已無人相信他們的存在,但他們仍舊生活在我們之中。米拉斯是來自阿拉木圖的一個普通年輕人,卻被美麗又成功的女孩艾娜愛上。米拉斯的父母樂見兒子攀上這門好親事,並樂意與艾娜富有的家庭結為親家。然而,他們卻不知道,新親家那棟豪華宅邸的門後,隱藏著什麼樣的驚人祕密。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
命運之書
邁克.梅爾斯,斯賓塞.布萊斯林火、水、風、土、和空氣,生命五種核心元素曾經注入在一本書--命運之書。黑暗籠罩了大地,需要借助筆和書的力量,但這本書卻失蹤了,人們以為它永遠消失了,但數百年后卻又再度出現……