法外之徒：卑劣的街頭
「你能不能帶我離開(kāi)這里？」 「是不是很辛苦？為什么這么該死的努力？」 Misong，一個(gè)負(fù)債累累的妓女生活在一個(gè)紅燈區(qū)，和 Geunhee，她的皮條客寄生蟲(chóng)，生活可能是最卑鄙和徒勞 的在地球上。他們?cè)噲D逃避更難，更深他們落入坑中。每一天，生存變成一場(chǎng)戰(zhàn)爭(zhēng)。每天，MISONG變得越來(lái)越疲憊 ，失去任何希望。她也成長(zhǎng)為反感 Geunhee，一個(gè)失業(yè)的負(fù)擔(dān)。Geunhee是一向是一個(gè)居高臨下的賴賬。有一天， 當(dāng)Geunhee收集的精神找到了工作，他遇到了一個(gè)熟悉的街頭暴徒誰(shuí)向他提供危險(xiǎn)的機(jī)會(huì)，他無(wú)法拒絕。 Geunhee 現(xiàn)在矗立在路的地方，他必須決定一個(gè)叉。 一個(gè)女孩和一個(gè)男人生活在陰溝里之間的凄美愛(ài)情故事… 這是一個(gè)局外人的（Ddaraji）生活照顧任何人，沒(méi)有人關(guān)心？
在線播放
劇情簡(jiǎn)介
「你能不能帶我離開(kāi)這里？」 「是不是很辛苦？為什么這么該死的努力？」 Misong，一個(gè)負(fù)債累累的妓女生活在一個(gè)紅燈區(qū)，和 Geunhee，她的皮條客寄生蟲(chóng)，生活可能是最卑鄙和徒勞 的在地球上。他們?cè)噲D逃避更難，更深他們落入坑中。每一天，生存變成一場(chǎng)戰(zhàn)爭(zhēng)。每天，MISONG變得越來(lái)越疲憊 ，失去任何希望。她也成長(zhǎng)為反感 Geunhee，一個(gè)失業(yè)的負(fù)擔(dān)。Geunhee是一向是一個(gè)居高臨下的賴賬。有一天， 當(dāng)Geunhee收集的精神找到了工作，他遇到了一個(gè)熟悉的街頭暴徒誰(shuí)向他提供危險(xiǎn)的機(jī)會(huì)，他無(wú)法拒絕。 Geunhee 現(xiàn)在矗立在路的地方，他必須決定一個(gè)叉。 一個(gè)女孩和一個(gè)男人生活在陰溝里之間的凄美愛(ài)情故事… 這是一個(gè)局外人的（Ddaraji）生活照顧任何人，沒(méi)有人關(guān)心？
人氣佳作
怪物2023
安藤櫻,永山瑛太,黑川想矢,柊木陽(yáng)太,高畑充希,角田晃広,中村獅童,田中裕子我當(dāng)你兄弟
文斯·沃恩,詹姆斯·麥斯登,艾莎·岡薩雷斯,凱斯·大衛(wèi),斯蒂芬·魯特,吉米·塔特羅,埃米麗·漢普希爾,劉易斯·陳,本·施瓦茨,阿圖羅·卡斯特羅,迪倫·普萊費(fèi)爾,大衛(wèi)·湯姆林森,保羅·程,凱特琳·貝肯,Sara Angelica,Mackenzee Cullen,Scott Cloney,德里克·詹姆斯·特拉普會(huì)長(zhǎng)的貼身校花
馮芷墨,熊蘇藝冰尸玩過(guò)界
Seth David Mitchell,Brit Morgan,Noah Segan導(dǎo)演精選
血統(tǒng)殺人魔
Moira Cole家人被殘忍地殺害后努力地想要重建破碎的生活，但一切并不會(huì)那么容易，因?yàn)闅⒑λ胰说恼桥c她擁有同樣血脈的表弟。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
靈語(yǔ)
★《麻醉風(fēng)暴》副導(dǎo)演首部長(zhǎng)片，顛覆想像打造臺(tái)灣靈異驚悚電影新篇章！ ★ 金馬影后提名吳可熙、金鐘視后及金獎(jiǎng)影后提名楊丞琳、金馬最佳女配角丁寧三后同臺(tái)飆戲！ ★《同學(xué)麥娜絲》《角頭–浪流連》金馬獎(jiǎng)最佳男配角提名鄭人碩深情演出！ ★《老師，你會(huì)不會(huì)回來(lái)？》暖男是元介化身火爆重案組刑警！ ★ 文化部年度優(yōu)良電影劇本佳作驚悚推理改編！ ? 劇情簡(jiǎn)介 ? 解不了的謎，破不了的案，就靠…靈語(yǔ) 刑警志凱(是元介飾)奉命調(diào)查一起無(wú)名兒童連環(huán)箱尸命案，同時(shí)，他在國(guó)小任教的姊姊美珍(吳可熙飾)在放學(xué)時(shí)發(fā)現(xiàn)女兒慘遭歹徒綁架，志凱與搭檔嘉強(qiáng)(禾浩辰飾)私下展開(kāi)緊急救人行動(dòng)。在查案過(guò)程中循線追蹤到美珍的前鄰居明城(鄭人碩飾)與慧嵐(楊丞琳飾)，意外發(fā)現(xiàn)他們的女兒也已經(jīng)失蹤一年，案情膠著找不到任何線索，幾乎成了破不了的懸案，兩起看似毫無(wú)關(guān)聯(lián)的案件背后似乎隱藏驚人的連結(jié)。時(shí)間一分一秒過(guò)去，外甥女命在旦夕、連續(xù)箱尸命案案情撲朔迷離，只有鬼魂知道真相，走投無(wú)路的志凱只能求助師姑曾白石(丁寧飾)，她擁有特殊體質(zhì)能夠接收「靈語(yǔ)」，而一樁樁懸案的關(guān)鍵線索，是否能借助「靈語(yǔ)」抽絲剝繭找到駭人真相…。