毫無意義

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

　　Saban Films拿下方·基默、帕特里克·約翰·弗魯格(《芝加哥警署》)主演影片[公寓管理員](The Super，暫譯)北美發行權。導演施特凡·里克([月之陰面])，編劇約翰·J·麥克勞克林([黑天鵝])，故事圍繞一位公寓管理員調查紐約一棟豪華公寓住客失蹤案展開。迪克·沃爾夫(《法律與秩序》)擔任制片。

　　在現代都市里，居然出了奇怪的大事。某日從天降下一位怪人，而且自稱財仙（譚詠麟），為了逃避群眾追趕，而湊巧遇上了茶室老板及其女兒愛玲、兒子彬彬。隨即他變被打扮成時代青年財仙，替老板解決了不少難題，更積極傳播真理，讓身邊的人人都能幸福快樂。后來，財仙為救汽車失事的愛玲，使用法力搶救但似的自己變成凡人。而后更遭太空署人員圍捕，幸得眾人齊心救援，方才遇難呈祥、逢兇化吉。　　香港天皇級的歌手譚詠麟早期80年代的電影作品。譚詠麟雖然憑《假如我是真的》奪得第十八屆金馬獎男主角，但是要數出他的代表作也不容易。因為他所主演的片子大多走搞笑路線，觀眾大多笑完即止。不過其中《小生怕怕》、《少爺威威》、《恭喜發財》也算得上當時優秀的喜劇作品，而且對于在樂壇上作全力沖刺的譚詠麟來說，能出演40多部電影，也可算是一個神話。延續了此前《小生怕怕》、《少爺威威》等片的商業熱力，本片推出后也大獲成功，贏得了接近兩千萬的高票房，站到了年度賣座電影的前五名之內。故事的結局和所有的賀歲片如出一轍，同樣是皆大歡喜。樂呵呵的看完電影，但演員們的精彩表現還是讓人津津樂道，至今翻看起來仍舊能回味無窮。

　　The boarding house residents felt something strange in their residence. Rumors circulated that the cheap boarding house asked for a sacrifice in the form of someone's life. One of the apparitions they often saw was a terrifying pocong.