劇情簡介
2001年香港特首角逐，特首熱門候選人李志信（方中信）因工作上壓力，經常有幻覺女性赤裸裸出現在面前，巧遇舊戀人心理專家何慧儀（張慧儀飾）替志信治療。不久他卷入強奸下屬性丑聞，被警方拘捕，罪名是強奸女秘書劉文慈（張文慈飾）。其中有催眠術制造他幻覺局部失憶。經過雜差警探（雷宇揚）破案，實際上不是政治陰謀，而是方中信被人陷害。
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永遠十六歲
凱拉·奈特莉,科洛·莫瑞茲,山姆·洛克威爾,艾麗·坎伯爾,Tiya Sircar,格瑞辰·摩爾,凱特琳·德弗,馬克·韋伯,丹尼爾·祖瓦圖,Dylan Arnold,Tony Doupe,Basil Harris,Jasmin Savoy Brown,Sara Coates,Sara Lynne Wright電影講述28歲的女主角無法承受男友求婚的壓力，她選擇以與中學生交朋友的方式來逃避。凱拉·奈特莉在片中扮演一個叫做“梅根”（Megan）的年輕女人，她的男友（馬克·韋伯）策劃了一場別出心裁的求婚，結果嚇壞了她，于是借著休假的名義和16歲的妹妹安妮卡（科洛·莫瑞茲）一起找了 個地方躲了起來。薩姆·洛克威爾在片中將扮演一個叫做“克萊格”（Craig）的老男人。
愛寵
多米尼克·莫納漢,克塞尼亞·索羅,詹妮特·麥柯迪,達旺·麥克唐納,內森·帕森斯,珍妮特·桑,加里·J·滕尼克利夫,丹尼斯·加西亞,約翰·羅斯·鮑伊,肖恩·布萊克默,艾琳·羅森,阿拉斯代爾·馬丁,哈莫尼·麥克利戈特,瑞秋·魯濱遜《峰回路轉》卡里斯陶倫斯執導，《魔戒三部曲》多明尼克莫納罕、《黑天鵝》柯賽妮亞索羅主演。BDSM結合籠女監禁題材，驚狂混血出擊，讓我養你一輩子！ 超有愛心的賽斯在動物之家工作，他每天細心呵護小動物，對于只有基本工資的日子也甘之如飴。某天她在公車上巧遇學生時期的暗戀對象荷莉，她清新亮麗的氣質讓賽斯內心中沉寂多年的欲望再次被喚醒。 賽斯企圖要拉近與荷莉之間的距離，可是郎有情妹無意。沒想到兩人久別重逢的首次見面，荷莉竟然失去意識，清醒后她發現自己衣不蔽體，還被關在動物之家地下室的鐵籠之中！愛到失去理智的賽斯口口聲聲表示會這么做，一切都是因為深愛著荷莉。然而，被受困籠中的荷莉也不是省油的燈，各懷鬼胎的兩人隨即展開驚悚離奇的對峙…… 經典的貓捉老鼠游戲，刻畫出爾虞我詐的主從之戰。究竟誰是主人、誰是寵物，不到最后誰也不知道！
村民總動員
阿圖爾·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,喬安娜·特茲佩西絲卡,Cezary Zak,維克多·茲波羅夫斯基哈莉娜因為經濟困難被迫取消了婚禮，于是她的親友們決心制定一個瘋狂的計劃來吸引游客，增加收入。
壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾Following the sudden and mysterious death of their father, a brother and sister return home to their sprawling New Orleans estate and encounter their unhinged stepmother, who will stop at nothing to gain control of their inheritance.
死亡回放
海莉·畢曉普,阿默·查達·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普在遭遇一場致命的入室犯罪時，這名瑜伽老師的一生在眼前閃現，她因此拼命穿越回過去，拯救深愛的男子。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
派對浪客孔明 THE MOVIE
向井理,上白石萌歌,藤岡靛,森山未來,神尾楓珠,詩羽,菅原小春,八木莉可子,宮世琉彌,森崎溫,石野理子,石崎Huwie,和田理生,本間朋晃,真壁刀義,長岡亮介,薔薇園啊嗚,菊地凜子,和田聰宏三國志の天才軍師?諸葛孔明が、なぜか現代の渋谷に転生。 アマチュアシンガー月見英子の歌聲に心奪われた孔明は、英子とともに音楽の力で＜天下泰平＞を目指す。そんな中、日本を代表する3大音楽レーベル、KEY TIME、SSSミュージック、V-EXが頂點を競う、史上最大の音楽バトルフェスの開幕が決定。 各レーベルから多彩な強者アーティストが集結する中、孔明と英子も參戦することに。 だが、そんな二人の前に三國時代の孔明の最大のライバル司馬懿の末裔?司馬潤、shin兄妹が立ちはだかる。 果たして、孔明と英子の運命は──？