即刻觀影
劇情賞析
編輯推薦
村民總動(dòng)員
阿圖爾·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,喬安娜·特茲佩西絲卡,Cezary Zak,維克多·茲波羅夫斯基哈莉娜因?yàn)榻?jīng)濟(jì)困難被迫取消了婚禮，于是她的親友們決心制定一個(gè)瘋狂的計(jì)劃來(lái)吸引游客，增加收入。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
樓上的人們
河正宇,李荷妮,孔曉振,金東旭講述因?yàn)闃菍釉胍粝嘤龅膬蓪?duì)夫妻一起吃晚飯發(fā)生的故事。
時(shí)間之外的故鄉(xiāng)
郭輝,朱宇涵,蔡宣萱大二在讀的安小河，因高利貸等事遭到“追殺”，30歲畫家康梅梅因接到“病危”通知，兩人先后“逃”回到恒河邊的家鄉(xiāng)，與在村里夢(mèng)想有一天能在河里找到傳說(shuō)中金碗的農(nóng)民康大恒在爭(zhēng)吵和交往中，安小河對(duì)康梅梅產(chǎn)生了不一樣的情愫，父女多年的隔閡也冰釋前嫌。
下女1960
金振奎,朱曾女,李恩心,嚴(yán)鶯蘭某紡織廠的音樂(lè)部教師東植對(duì)錦川發(fā)生的一起殺人事件表示出極大的興趣。 某天，東植從女工郭善英處收到一封情書，并向舍監(jiān)告發(fā)，善英被工廠開除。曾鼓勵(lì)善英寫信的朋友趙慶熙借著鋼琴輔導(dǎo)的契機(jī)開始出入東植家。為了貼補(bǔ)家計(jì)，東植妻子做了很多裁縫活兒，身體越來(lái)越虛弱。東植委托慶熙尋找到一名合適的下女，幫助持家。妻子懷孕回娘家的當(dāng)下，慶熙借機(jī)向東植表達(dá)了愛意，卻受到辱蔑被攆了出去。這一切都被窗外的下女看到眼里。下女借機(jī)誘惑東植，并與之發(fā)生了肉體關(guān)系。三個(gè)月后，下女懷孕。東植的妻子知道真相后，將下女推下樓梯，導(dǎo)致流產(chǎn)。失去孩子的下女怒火中燒，性情開始變得暴烈。結(jié)果，下女將東植夫婦倆的孩子也推下樓梯，藏了起來(lái)。下女以向工廠曝光所有事實(shí)相要挾。為了保住整個(gè)家庭，東植將二層的房間讓給下女。最后，準(zhǔn)備和下女一起吃耗子藥自殺的東植看到死在臺(tái)階上的下女，毅然拋棄了她，重新回到了妻子身邊。這時(shí)，電影畫面再次回到東植夫婦看著有關(guān)那起殺人新聞的畫面，東植不禁說(shuō)道：這樣的事情有可能發(fā)生在任何一個(gè)人的身上。
血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強(qiáng),劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓棠家一脈花開，將軍身故，棠夫人站在家族宗法寶塔上，也就立足彌陀鄉(xiāng)政治的頂端。黑白兩道，茶盞交錯(cuò)之間，玲瓏心，剔透眼，柔軟身段，霹靂手段，女人天下。大女兒棠寧玲瓏八面，卻懷一股心思幽微，小女兒棠真乖巧聽話，學(xué)著繼承泡茶待客之道，隨棠夫人簾后織手暗操線，青春初豐滿的羽翼，能如何擔(dān)起腥風(fēng)血雨？棠家牽線的土地開發(fā)計(jì)劃出現(xiàn)變數(shù)，好友議員一家遭滅門慘案，以血掀變，彌陀鄉(xiāng)勢(shì)力重新洗牌，暗潮涌動(dòng)，臺(tái)北二十年，大家深宅三代女人，千手染血的觀音，骨與血，治與亂，情欲與權(quán)力層層密謀穿織。